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Greg Sinibaldi: Ariel
by Paul Rauch
Sylvia Plath's chilling second book of poetry, “Ariel," published posthumously in 1965, revealed evocative free flowing images, and minacious psychic landscapes exuding hope while hovering on the precipice of darkness. With his new release, Ariel, Seattle based saxophonist Greg Sinibaldi explores the inner and outer reaches of Plath's work by convening a trio with guitarist Ryan ...
Michael Zilber: Originals For the Originals
by Paul Rauch
Saxophonist/composer Michael Zilber is better known by fellow musicians than by the jazz public, this is an unfortunate truth. The Vancouver, B.C., native moved to Boston in his late teens, then to New York City to begin his musical odyssey. Musicians there recognized his prodigious talent, resulting in recordings with jazz royalty such as Dizzy Gillespie, ...
Phil Parisot: Creekside
by Paul Rauch
With his second recording as a leader, Seattle drummer/composer Phil Parisot follows up his debut record, Lingo (OA2, 2016), with Creekside (OA2, 2017), an interpretation of how nature manifests itself within urban environments. It's sound reflects the natural world perceived within the context of urban life, as a primal, inexhaustible source of enveloping sanctuary, seeing human ...
Bill Anschell: Curiosity and Invention
by Paul Rauch
Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work ...
Roxy Coss: Standing Out
by Paul Rauch
All About Jazz: You have recently released a new CD, Chasing the Unicorn (Posi-Tone, 2017), just a year after the release of Restless Idealism (Origin, 2016). Albums are like a snapshot of a timeframe, how has that musical image changed in a year? Roxy Coss: More back story is it was recorded more than ...
Tarik Abouzied: Happy Orchestra: Baba
by Paul Rauch
Go ahead, laugh it up. After all, how could you possibly take seriously a band called Happy Orchestra, that uses the classic yellow happy face as a logo in this visceral world of jazz we inhabit? How could this leader, a drummer in fact, produce music that is both danceable, and satisfying to the elite jazz ...
Roxy Coss: Chasing the Unicorn
by Paul Rauch
The title of the third, and latest release of New York based saxophonist Roxy Coss, Chasing the Unicorn (Posi-Tone, 2017), enables a vision that all artists embrace-that elusive and mythical state of total expression attained by only an elite few, that which not only presents beauty and passion to the universe, but is integrated into the ...
Carmen Rothwell: The Art of Intuition
by Paul Rauch
Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions.
Sam Boshnack Quintet: Nellie Bly Project
by Paul Rauch
Samantha Boshnack is more than a musician and composer. She is a storyteller who walks us through the history of things. With Nellie Bly Project, she tells the story of daredevil journalist, writer, and feminist Elizabeth Cochran Seaman (1864-1922), known by her pen name, Nellie Bly. The compositions, a four movement suite, are like a journey ...
Bren Plummer: Moldy Figs
by Paul Rauch
Bassist/Composer Bren Plummer has been walking that fine line between classical music and modern jazz since he first introduced himself to the jazz world via piano trio with his debut recording, Nocturnal (Bren Plummer Music, 2015). His musical energies have been directed into two respected orchestras in Washington state, the Yakima Symphony, and Symphony Tacoma. His ...
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