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About Paul Motian

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Musician

Paul Motian

Born:

Although he studied drums in the Navy School of Music in Washington, there has never been anything militaristic about Paul Motian's prolific work as a jazz drummer. In the mid-1950s, he played with a host of jazz stars including Stan Getz, George Russell and Thelonious Monk, but his major association was with pianist Bill Evans, both in Evans's trio and as a member of other groups, such as the quartet led by clarinettist Tony Scott. With Bill Evans, he developed a way of playing that mirrored the pianist's phrasing and approach, often abandoning aspects of the drummer's traditional time-keeping role

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Article: Radio & Podcasts

A Herbie Nichols' Centennial - Part II

Read "A Herbie Nichols' Centennial - Part II" reviewed by Ludovico Granvassu

by Ludovico Granvassu

The second part of this week's tribute to Herbie Nichols focuses on the work of champions of his music like Roswell Rudd, Misha Mengelberg, Steve Lacy and, again, the Herbie Nichols Project with some never-heard-before live recordings from the vaults of the Jazz Composers Collective. For the first part of this Herbie Nichols special ...

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Article: Radio & Podcasts

A Herbie Nichols' Centennial - Part I

Read "A Herbie Nichols' Centennial - Part I" reviewed by Ludovico Granvassu

by Ludovico Granvassu

Herbie Nichols was a master of the piano which has inspired generations of musicians after his passing, despite the little commercial success that his albums obtained when first released. 2019 marks the centennial of his birth and to remedy the lack of retrospectives that his work should have, but hasn't received, this year, this ...

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Article: Live Review

Les Rencontres AJC 2019

Read "Les Rencontres AJC 2019" reviewed by Henning Bolte

by Henning Bolte

Pan Piper, Dynamo de Banlieues Bleues, Cité de la Musique, Philharmonie de Paris Les Rencontres AJC 2019 Paris December 2-4, 2019 Association Jazzé Croisé (AJC) extended its annual December meeting in Paris to a three-day program with French and Scandinavian showcases and an extensive program of talks and discussions. Here ...

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Article: Year in Review

John Kelman's Best Releases of 2019

Read "John Kelman's Best Releases of 2019" reviewed by John Kelman

by John Kelman

Well, Chronic Fatigue Syndrome continues to be a challenge, as it has been since mid-2014. 2019 represents, in fact, the worst year when it comes to the actual number of articles written. Still, I've been finding an increasingly satisfying niche in the arena of in-depth, detailed and extensive/exhaustive (exhausting, for you as much as I!!) articles. ...

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Article: Year in Review

Karl Ackermann’s Best Releases of 2019

Read "Karl Ackermann’s Best Releases of 2019" reviewed by Karl Ackermann

by Karl Ackermann

2019 was the year when one couldn't turn an ear without hearing a release that featured either Kris Davis or Matthew Shipp. Between the two pianist/composer/improvisers, listeners have been treated to more than a dozen recordings, each noteworthy. Then there is Satoko Fujii. On the heels of her 2018, twelve-album birthday celebration, the pianist issued another ...

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Article: Radio & Podcasts

Ingrid Laubrock, Aki Takase, Alexandra Grimal and More

Read "Ingrid Laubrock, Aki Takase, Alexandra Grimal and More" reviewed by Maurice Hogue

by Maurice Hogue

This episode acknowledges a few of the outstanding and important female jazz improvisers who are becoming more and more prominent in the 21st century. You'll hear music from the mutual admiration duo of saxophonist Ingrid Laubrock and pianist Aki Takase, French saxophonist Alexandra Grimal displaying her talents on three differently focused albums, Estonian take-no-prisoners saxophonist Maria ...

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Article: Album Review

Roberta Piket: Domestic Harmony: Piket Plays Mintz

Read "Domestic Harmony: Piket Plays Mintz" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Roberta Piket was subbing in trombonist Joey Sellers' band in 1998 when she first met drummer Billy Mintz. In an All About Jazz interview, in 2011 with Victor Schermer, Piket said of that first encounter: “I noticed Billy, because the room was very dark, and yet he was wearing sunglasses; he seemed very strange. But ...

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Article: Album Review

Mat Maneri Quartet: Dust

Read "Dust" reviewed by Glenn Astarita

by Glenn Astarita

The respective artists are firmly rooted in the modern vanguard of experimentation, improvisation and countless offshoots of the jazz vernacular. However, A-list bassist John Hebert is also a veteran of many modern/progressive jazz sessions but, as evidenced here, is also comfortable exploring the outside realm. Hence, the musicians dish out a rather somber and stoic chamber-jazz ...

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Article: Album Review

Marc Copland: And I Love Her

Read "And I Love Her" reviewed by Dan McClenaghan

by Dan McClenaghan

In any discussion concerning the best of the modern piano trios in jazz, Marc Copland's name has to come up. Pianist Copland--who, oddly, began his jazz career as a saxophonist--shuffles trio mates often, having employed bassist Gary Peacock and drummer Paul Motian, and drummer Jochen Rueckert, and drummer Bill Stewart and bassist Drew Gress, in a ...


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