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Joachim Badenhorst: Forest // Mori
by Mark Corroto
Clarinetist Joachim Badenhorst probably doesn't know who Ray Johnson is, or was. He died 20 years ago. Johnson, the father of Mail Art, created a network of artists and patrons beginning in the1960s through his correspondences. He called them 'correspondances.' His mailings created a worldwide democratic system for art. Mail Art peaked pre-internet, in ...
Dave Rempis: Zen Master
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by Mark Corroto
The best application of philosophy to improvised music is the Chinese concept of “wu-wei." The best translation of this is “no trying." Many listeners have the false impression that it takes a sophisticated ear or at least years of listening to “get" improvised music. Actually, the opposite is true. The key is wu-wei or the art ...
Timothy Daisy: October Music (Vol. 1) 7 Compositions For Duet
by Mark Corroto
In 2001 drummer Tim Daisy replaced Tim Mulvenna in Vandermark 5. From that instant, his career has evolved first as a sideman to composer/saxophonist Ken Vandermark in V5, Bridge 61, Resonance Ensemble, The Frame Quartet, and more recently in Audio One and Made To Break. Next he distinguished himself with fellow Chicago musicians in Dave Rempis' ...
Barry Guy Blue Shroud Band in Krakow, Poland
by John Sharpe
Barry Guy Blue Shroud Band Alchemia Krakow, Poland November 18-22, 2014 Chapter Index The Blue Shroud Krakow Jazz Autumn Small Group Formations Day One Day Two Day Three Polish Musicians Post Script ...
Evan Parker, Barry Guy, Paul Lytton: Live at Maya Recordings Festival
by Giuseppe Segala
Ci sono musicisti che indagano per tutta la loro vicenda artistica la stessa musica. Lo fanno con assoluta convinzione, concentrazione sugli obiettivi (estetici, tecnici, espressivi), con ampia varietà di dettagli e comunque all'interno di un quadro globale di sviluppo dove non mancano le sorprese, le digressioni, le smentite seppur coerenti. Forse i grandi artisti hanno sempre ...
Nate Wooley/Hugo Antunes/Chris Corsano: Malus
by John Sharpe
Named musician of the year in the El Intruso 2013 critics poll, trumpeter Nate Wooley looks to be on a roll. That's in spite, or perhaps that should be because, of being so hard to pin down. His output stretches from experimental solo works such as Trumpet/Amplifier (Smeraldina-Rima 2011) and The Almond (Pogus Productions, 2011), to ...
Barry Guy New Orchestra: Amphi - Radio Rondo
by John Sharpe
One of the most noteworthy releases of 2013 was the Barry Guy New Orchestra's Mad Dogs (Not Two), a five disc compendium which collected largely freeform meetings between various subsets of the 11-piece company during their 2010 residency in Krakow. However even that copious set offered only a partial view of the Orchestra's range, a deficiency ...
Peter Evans - Nate Wooley - Jim Black - Paul Lytton: Trumpets and Drums Live in Ljubljana
by Vincenzo Roggero
Due trombe, due batterie. Formazione perlomeno insolita, potenzialmente esplosiva sia ritmicamente che timbricamente, dalle limitate possibilità combinatorie, con un'energia che l'esibizione live dovrebbe liberare in quantità industriali. Ma il disco registrato a Lubiana nel giugno 2012--quello nella capitale slovena è festival tra i più stimolanti, propositivi e meglio organizzati del Vecchio Continente--non va in questa direzione, ...
The Nows
By Paul Lytton
Label: Clean Feed Records
Released: 2013
Track listing:
CD 1:
01. Free Will, Free Won't; 02. Abstractions And Replications; 03. Berlyne's Law.
CD 2:
01. Men Caught Staring; 02. The Information Bomb; 03. Automatic; 04. Destructive
To Our Proper Business; 05. The Ripple Effect.
John Sharpe's Best Releases of 2013
by John Sharpe
Here are twelve new releases which stood out from those I heard this year, in no special order. Mostly Other People Do The Killing Slippery Rock (Hot Cup Records) Leader and bassist Moppa Elliott's songwriting talents haven't deserted him: his charts, named after small Pennsylvania towns, are bursting at ...
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