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Article: Album Review

Paul Giallorenzo's Gitgo: Emergent

Read "Emergent" reviewed by AAJ Italy Staff


Il pianista newyorchese (ma di base a Chicago) Paul Giallorenzo si ispira per questo Emergent alle incisioni degli anni '60 di e con Mal Waldron, Cecil Taylor, Lowell Davidson. Il risultato è un disco estremamente intrigante, con una ritmica swingante ed il batterista Marc Riordan sugli scudi grazie ad un suono che sembra uscito proprio dai ...

Article: Album Review

Paul Giallorenzo feat.: Ingebrigt Haker Flaten & Tim Daisy: PG 3

Read "PG 3" reviewed by AAJ Italy Staff


PG 3 è la testimonianza discografica dell'incontro avvenuto nel 2007 in quel di Chicago tra il poderoso bassista norvegese Ingebrigt Haker Flaten, che di quella città si può considerare cittadino onorario, il batterista Tim Daisy (Ken Vandermark e dintorni) ed il pianista Paul Giallorenzo. Nome non particolarmente conosciuto al di fuori dei patri confini Giallorenzo è ...

Album

Emergent

Label: Leo Records
Released: 2012
Track listing: 01. On Your Marks - 6:05; 02. Want It! - 6:25; 03. Slowed Roll - 5:05; 04. Spatialist (for Fred Anderson) - 10:41; 05. Obelaskism - 8:25; 06. Imprograf - 8:30; 07. The Swinger - 2:22; 08. Spring Chicken - 4:43. Tutte le composizioni sono di Paul Giallorenzo.

Album

Get In To Go Out

Label: 482 Music
Released: 2009
Track listing: Vacillation; Steamin In Cleveland; Porous; Fifth Flow; Crazy Ladies; Ajemian's Funk; Double Team; Twisted Lopes; Eternal Circle.

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Article: Album Review

Paul Giallorenzo: Get In To Go Out

Read "Get In To Go Out" reviewed by Troy Collins


The 15th album in 482 Records' Document Chicago Series, Get In To Go Out is the debut of pianist Paul Giallorenzo's quintet. One of the few free-leaning pianists working in the Windy City's vital new music scene, Giallorenzo's angular approach towards writing and improvising draws inspiration from the seminal Post-War innovations of such pianists as Thelonious ...

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Article: Album Review

Paul Giallorenzo: Get In To Go Out

Read "Get In To Go Out" reviewed by Mark Corroto


Pianist Paul Giallorenzo locates the jazz he makes with his quintet somewhere in the early 1960s, when post-bop was getting ready to explode into free jazz and its pioneers were rooted in swing, but thinking outward thoughts. Eric Dolphy's Out To Lunch (Blue Note, 1964), Ornette Coleman's Tomorrow Is The Question (Contemporary, 1959), and Andrew Hill's ...


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