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6

Article: Album Review

Mette Rasmussen/Chris Corsano: All The Ghosts At Once

Read "All The Ghosts At Once" reviewed by Mark Corroto


Today's hypothesis states that all free jazz improvisation demands the musicians maintain the music's vigor like a juggler, to all appearances, keeping all the balls in the air at once. Proof of this theory is the opening piece “Train Track" from alto saxophonist Mette Rasmussen and drummer Chris Corsano's release All The Ghosts At Once. The ...

6

Article: Album Review

Mike Fletcher Trio: Vuelta

Read "Vuelta" reviewed by Bruce Lindsay


Vuelta is the debut release from the Mike Fletcher Trio, a band with a strong emphasis on improvisations based on Fletcher's melodies. The result is an accessible collection of tunes that draw on the creativity and technical skills of all three players.The trio is based in Birmingham, the major city of the English midlands. ...

1

News: Birthday

Jazz Musician of the Day: Paul Dunmall

Jazz Musician of the Day: Paul Dunmall

All About Jazz is celebrating Paul Dunmall's birthday today! After turning professional at seventeen and touring Europe for one year with progressive rock group Marsupilami he moved to America and lived there for three years playing with many musicians including Alice Coltrane and toured with Johnny Guitar Watson for one year. On his return to the ...

7

Article: Album Review

Konstrukt and William Parker: Live At NHKM

Read "Live At NHKM" reviewed by Mark Corroto


Let me propose the notion that American poet Emily Dickinson was a free jazz fan. Sure, you have to look past the fact that she died in 1886, when Buddy Bolden was but nine years old. But consider her words: “The worthlessness of Earthly things/The Ditty is that Nature Sings -/And then -enforces their delight/Til Synods ...

68

Article: Album Review

Evan Parker - Paul Dunmall - Tony Bianco: Extremes

Read "Extremes" reviewed by Glenn Astarita


In the album notes, eminent drummer Tony Bianco advises that the various discourses of this program “were about the times we live in." It's a fitting correlation to the album moniker, featuring two legendary British improvisers, saxophonists Paul Dunmall and Evan Parker engaging in kinetic and at times, calamitous dialogues. Moreover, the Canadian label Red Toucan ...

21

Article: Album Review

Barker / Dunmall / Dahl: Luddite

Read "Luddite" reviewed by Glenn Astarita


This is the second album emanating from celebrated British saxophonist, Paul Dunmall's 2012 visit to New York City, performing at the Vision Festival, and follows his initial 2013 appearance for New Atlantis Records on a date led by guitarist Edward Ricart, titled Chameleon. Hence, top New York City-based improvisers, drummer Andrew Barker and bassist Tim Dahl--the ...

Album

Luddite

Label: New Atlantis Records
Released: 2014
Track listing: Shame Game; Luddite; Champion; No Pity Party; Spells; Flecks.

5

Article: Album Review

Paul Rogers/Robin Fincker/Fabien Duscombs: Whahay

Read "Whahay" reviewed by Mark Corroto


Is playing with a European free jazz sensibility antithetical to the music of Charles Mingus? Absolutely. Does renowned bassist Paul Rogers try his hand at it with his new trio Whahay? Yes. Do they triumph? Without question, yes. Rogers, a veteran of the London scene and bands of Keith Tippett, Paul Dunmall, and Elton ...

11

Article: Live Review

Louis Moholo Moholo Quartet At The Crescent Arts Centre

Read "Louis Moholo Moholo Quartet At The Crescent Arts Centre" reviewed by Ian Patterson


Louis Moholo-Moholo The Crescent Arts Centre Belfast October 30, 2014 Ireland has been graced by the presence of two South African musical icons in October. First, the brilliant, seventy-five-year-old trumpeter Hugh Masekela played Dublin and then a little over a week later Louis Moholo-Moholo--younger by a year--kicked up a storm ...

28

Article: Extended Analysis

Manfred Eicher: ECM - Selected Signs III - VIII

Read "Manfred Eicher: ECM - Selected Signs III - VIII" reviewed by John Kelman


When München's Haus der Kunst sponsored a nearly three-month exhibition about the ECM Records label, ECM: A Cultural Archeology, which ran from November, 2012 to February, 2013, there was far more to it than just bringing together collections of album covers, rarely seen video, archival tapes, imagery and concert performances. As much as ECM has carved ...


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