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Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...
Miles on Monday: 56 years of Kind of Blue
It was 56 years ago today that Miles Davis went into Columbia Records' 30th Street Studio in New York City to begin recording Kind of Blue, his best-known work that has been cited variously over the ensuing years as the best-selling, most influential, and greatest jazz album of all time. During that first session on Monday, ...
Red Garland: Swingin’ on the Korner: Live at Keystone Korner
by C. Michael Bailey
Dismissed as a subpar “cocktail pianist" when he joined Miles Davis' first great quintet in 1955 when Davis had returned from chemical exile, William “Red" Garland would go on to define mainstream jazz piano on a series of recordings (as leader and sideman) taped between 1955 and 1962. Readily identifiable was his easy swing, supreme command ...
Joe Lovano: Miles Davis - 'Round About Midnight
by William Ellis
Joe Lovano: Birdland, NYC, 21st September 2014 “Well, I would have to say Miles Davis, 'Round About Midnight (Columbia, 1957). I grew up listening to this recording as a kid and the poetic expression -the ensemble playing between John Coltrane and Miles Davis, Red Garland, Paul Chambers and Philly Joe Jones just captured my ...
Wolfgang Haffner: Kind Of Cool
by Bruce Lindsay
Drummer Wolfgang Haffner is one of Germany's most respected and experienced jazz musicians: his 30 year career features recordings with Al Cohn, Joe Pass and Till Bronner as well as numerous albums as leader. On Kind Of Cool he's joined by an excellent line-up of European jazzers, including pianist Jan Lundgren and trombonist Nils Landgren: their ...
Johnny Griffin: A Blowin' Session – Blue Note 1559
by Marc Davis
Sometimes dumb luck makes all the difference. That's the case with Johnny Griffin's A Blowin' Session. If you're a sax fan, this one's for you--not one, not two, but three red-hot tenors, plus one scorching trumpet, and the legendary Art Blakey smashing the drums behind them. Three tenors? How did that happen? Pure serendipity. ...
Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan
by Victor L. Schermer
As Duke Ellington's standard goes, “It Don't Mean a Thing if it Ain't Got that Swing." The rhythm section (piano, bass, drums, with guitar and percussion sometimes added) is the core of the typical jazz ensemble. They set the frame for the leader, singer, and soloists and contribute their own solos as well. Even though they ...
New Red Garland, After All These Years
Red Garland, Swingin’ on the Korner: Live At Keystone Korner (Elemental) A new Red Garland album: a nice surprise from a time just after the pianist released himself from self-imposed isolation. Garland made his name as a member of the seminal 1950s Miles Davis Quintet that also included tenor saxophonist John Coltrane, bassist Paul Chambers and ...
Miles Davis: Olympia – Mar 20, 1960
by C. Michael Bailey
A Totally Subjective History of Jazz, 1945--1968 I am going to over-simplify the history of small-ensemble jazz between the heyday of bebop and the vestibule of fusion using a single catalyst--Miles Davis. Davis was instrumental in or the genesis of five major movements (not including fusion) in jazz where the hinges of these ...
First Tucson Jazz Festival features Bacharach, Reeves, Cobb, Childs, DeFrancesco, more
By Patricia Myers The HSL Tucson Jazz Festival, a 13-day event from January 16-28 will feature both national and Arizona musicians, headlined by 86-year-old composer Burt Bacharach, 85-year old drummer and NEA Jazz Master Jimmy Cobb, and four 2015 Grammy-nominated musicians. Organist Joey DeFrancesco received a Best Jazz Instrumental nomination for Enjoy The View ...
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