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Sonny Clark: Cool Struttin’ – 1958
by Marc Davis
Blue Note Records was many things in the 1950s and '60s, but it was never the home of cool jazz. Yes, it was ground zero for hard bop in the '50s. And yes, it was the capital of soul-jazz in the '60s. But to release an album in 1958 (one year after Miles Davis' Birth of ...
Katie Thiroux: Walking a Classy and Swinging Line
by R.J. DeLuke
Katie Thiroux, a young musician out of Los Angeles, plays the bass and sings with equal conviction. Her musical experiences began with classical, but a career in jazz is what she eventually focused on and Thiroux--who received several accolades while climbing the tricky stairway of such a career--is making good strides. A sideman on ...
Curtis Fuller: The Opener – Blue Note 1567
by Marc Davis
From the very first notes, it's obvious that Curtis Fuller's The Opener is something completely different. Yes, it's bop. Yes, it features the usual lineup of two horns, piano, bass and drums. And yes, one of those horns is saxman Hank Mobley, who, by law, was required to appear on every single Blue Note ...
Miles Davis At Newport 1955-1975: The Bootleg Series Vol. 4 Scheduled For Release July 17
MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4 SCHEDULED FOR RELEASE JULY 17 THROUGH COLUMBIA/LEGACY RECORDINGS FOUR-CD BOX SET TRACKS MILES’ ASCENDANCE OVER EIGHT LIVE FESTIVAL PERFORMANCES SPANNING 20 YEARS IN NEWPORT, NEW YORK, BERLIN, AND SWITZERLAND; 296-MINUTE PROGRAM INCLUDES NEARLY FOUR HOURS OF PREVIOUSLY UNRELEASED MATERIAL Newport Jazz Festival To Be Held July ...
John Coltrane: Blue Train – Blue Note 1577
by Marc Davis
John Coltrane was arguably the greatest jazz musician of the 1950s and '60s. Blue Note Records was arguably the greatest jazz label of the same period. And yet they had almost nothing to do with each other. Except for one album--and it's a classic. Blue Train is one of a handful of ...
J.J. Johnson: An Eminent Life in Music
by Victor L. Schermer
This interview with trombonist J.J. Johnson along with Joshua Berrett and Louis G. Bourgois III, authors of his biography, The Musical World of J.J. Johnson (Scarecrow Press) was first published at All About Jazz in November 1999. All About Jazz: Congratulations to Josh and Louis on your new book--and to J.J. for now having ...
Bill Evans: Sublime Sideman
by Nathan Holaway
We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...
Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...
Miles on Monday: 56 years of Kind of Blue
It was 56 years ago today that Miles Davis went into Columbia Records' 30th Street Studio in New York City to begin recording Kind of Blue, his best-known work that has been cited variously over the ensuing years as the best-selling, most influential, and greatest jazz album of all time. During that first session on Monday, ...
Red Garland: Swingin’ on the Korner: Live at Keystone Korner
by C. Michael Bailey
Dismissed as a subpar “cocktail pianist" when he joined Miles Davis' first great quintet in 1955 when Davis had returned from chemical exile, William “Red" Garland would go on to define mainstream jazz piano on a series of recordings (as leader and sideman) taped between 1955 and 1962. Readily identifiable was his easy swing, supreme command ...
