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Matt Kane: Acknowledgement
by Don Phipps
A hard-charging affair interlaced with charm, Matt Kane's Acknowledgement, surely stands as an homage to some of the jazz giants associated with Kansas City. Three of the compositions were penned by Bobby Watson, who presently calls Kansas City home [and is Director of Jazz Studies at the University of Missouri--Kansas City (UMKC) Conservatory of Music], three ...
Simon Millerd: Lessons And Fairytales
by Jerome Wilson
Canadian trumpeter Simon Millerd is one of those musicians who effortlessly moves between genres. This new CD of his is a collection of work that mixes folk, jazz-rock, electronic minimalism and jazz in original and personal ways. The opening track, “Looking Back" echoes the glitchy electronics of modern Norwegian music with Millerd's trumpet and ...
Pat Metheny at Belfast Waterfront
by Ian Patterson
Pat Metheny Belfast Waterfront Belfast, N. Ireland November 14, 2017 “We've been trying to get a gig here for forty two years," Pat Metheny told the crowd at the Belfast Waterfront. Happily, the Missouri guitarist had at last found the city. It had been hidden out of sight all the time, ...
Pat Metheny: Driving Forces
by Ian Patterson
It's been five years since Pat Metheny was last interviewed by All About Jazz, a not inconsiderable period of time in any working musician's life and particularly in one quite as prolific as the Missouri guitarist/composer. At the time, Metheny was promoting his Unity Band featuring Chris Potter, Ben Williams and Antonio Sánchez. His unconcealed enthusiasm ...
John Bickerton: Submerged
by Karl Ackermann
Pianist and composer John Bickerton has been absent from active recording since his 1999 Shadow Boxes (Leo Records). That trio outing established his proficiency at blending lyricism, free jazz and the avant-garde as he had done on his previous release Drinking from the Golden Cup (Loud Neighbors Music, 1997). He returns almost twenty years later with ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Sunday at the Monterey Jazz Festival
by Dave Kaufman
Friday | Saturday | Sunday Sunday was a spectacularly beautiful day in Monterey which was just perfect for the 12-hour marathon of music. The closing day of the Jazz Festival included a stellar lineup of great jazz artists including Joe Lovano, Vijay Iyer, Linda May Han Oh, Brad Mehldau, Regina Carter and the closing ...
Los Angeles Guitar Quartet's European Debut of Pat Metheny Commission Highlights Uppsala International Guitar Festival
by John Ephland
14th Annual Uppsala International Guitar Festival Uppsala, Sweden October 11-15, 2017 While much if not most of this year's Uppsala International Guitar Festival-once again held in the music-friendly Konsert & Kongress building-was devoted guitarists and music emanating from the worlds of classical, Brazilian, Tango and Flamenco, other musical strains were ...
Ian Brighton & Henry Kaiser: Together Apart
by Roger Farbey
The title of the album explains its realisation; Britain's Ian Brighton and Henry Kaiser from California recorded their respective contributions locally and then Kaiser had them melded seamlessly together. Whilst this methodology is true for nine of the eleven tracks, the first two are solo pieces. “In Memoriam--Jack and Rose Brighton," the longest cut at just ...
Wouter Turkenburg: Jazz Education in the New Millennium
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 All About Jazz and Wouter Turkenburg would like to dedicate this interview to the memory of saxophonist Michael Brecker (1949-2007). In addition to his prodigious accomplishments as an instrumentalist and band leader, Brecker was an exceptional worldwide ...
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