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Best of 2012
by Mr. P.C.
Dear Mr. P.C.:I've noticed that when a lot of the younger groups rearrange a standard or pop song, they take out a beat here and there. It keeps me off guard and if I don't count I lose track of the downbeat. But that's fine. What I'm wondering is: Where do those beats go?
Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012
by John Kelman
Sidsel Endresen @ 60: A Special Birthday CelebrationNasjonal Jazzscene VictoriaOslo, NorwayNovember 8-9, 2012Turning 60 can mean different things to different people: for some, it's a time to think about slowing down, and for others, it's a time to kick into higher gear. In the case of jazz and improvising musicians, age ...
Jonathan Kreisberg: From Shadowless to One
by Marta Ramon
Jonathan Kreisberg has filled a gap in the international jazz scene. This New York-based guitarist started with both rock and classical music, but from the beginning he paid attention to his father's great jazz music collection. For Kreisberg, jazz is a pure music based on feelings. He says that he first experienced the creative part of ...
John Seman: The Story of Monktail
by Jack Gold-Molina
The director and cofounder of Monktail Creative Music Concern with drummer Mark Ostrowski, bassist/composer John Seman has spent much of his childhood and his entire adult life defining this band and his musical direction. A highly educated player with the kind of street sense that can only be gained through constant performing, recording and touring, he ...
Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did...
by Jack Bowers
I've been listening to a lot of Stan Kenton's music recently while coming to grips with the age-old question, did the Kenton orchestra really swing? The answer, to me, is a no-brainer: Yes, Kenton swung. Liberally and often. [Note: This of course depends on how “swinging" is defined; opinions may vary]. In his own way--although he'd ...
Pete Oxley and Nicolas Meier: Travels To The West
by Bruce Lindsay
Guitar duos may not be quite as rare as hen's teeth in the world of jazz, but they're far from common. Yes, there are classic pairings such as Bucky Pizzarelli and George Barnes, or John Abercrombie and Ralph Towner; but given the instrument's ubiquity it's perhaps surprising that there aren't more such partnerships around. On Travels ...
Beishan International Jazz Festival, China, 19-20 October 2012
by Ian Patterson
Beishan International Jazz FestivalBeishan TheaterNanping Town, Zhuhai, China10-20 October, 2012Jazz festivals occupy some fairly far-flung, diverse, and oftentimes dramatic settings; from the Polar North to the volcanic mountains of East Java, from medieval European towns to the great urban metropolises of North America, from tropical Thai islands to luxury cruise ships, ...
2012 Umea Jazz Festival: Umea, Sweden, October 24-28, 2012
by John Kelman
Umeå Jazz Festival Umeå, Sweden October 24-28, 2012 Nestled about 20 kilometers from the coast of the Baltic Sea in northern Sweden, connected by the Ume River, sits Umeå (pronounced: ooo-me-oh), a town of about 120,000 (including the surrounding region). Small it may be, but since 1968 it has hosted an annual ...
Jim Hall: Two New ArtistShare Fan-funded Albums
We are very pleased to announce the official release of two ArtistShare Fan-Funded albums from the Jim Hall: Live! ArtistShare Fan-Funded Project. These albums beautifully demonstrate Jim Hall's enduring genius and influence as an improviser. The Jim Hall Quartet: Live at Birdland was recorded live at Birdland in New York City on November 10-11, 2010. This ...
Anglagard: Viljans Oga
by Alex Franquelli
Complexity can sometimes be considered a form of art in itself and it seldom follows simplicity. Complexity is also impressionism in its purest form. Its faithful depiction of the present may be deemed naïve and unsophisticated, but it remains an unfiltered, pure representation of the being. Less than 20 years ago, Änglagård's albums, Hybris (Mellotronen, 1992) ...
