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Album

Zonda

Label: Palmetto Records
Released: 1999
Track listing: Riding the Waves; M

Album

Havana Blues

Label: Palmetto Records
Released: 1999

Album

Momentum Space

Label: Verve Music Group
Released: 1999
Track listing: Nine; Bakei; Spoonin'; Life As; It; Is; Dew.

Album

Smile

Label: Palmetto Records
Released: 1999

Album

Third Eye

Label: Palmetto Records
Released: 1999

Album

Sorry, No Decaf

Label: Palmetto Records
Released: 1999

153

Article: Album Review

Rumba Club: Espiritista

Read "Espiritista" reviewed by Joel Roberts


Rumba Club didn't just hop on the latest Latin music bandwagon. The nine-member ensemble has been playing spirited jazz and salsa around the Baltimore area for over a decade. And with any luck, Espiritista, their fine new release on the Palmetto label, will help win them more than a regional following. With a three-horn front line ...

94

Article: Album Review

Rumba Club: Espiritista

Read "Espiritista" reviewed by Glenn Astarita


Produced by bassist, percussionist Andy Gonzalez of the renowned “Fort Apache Band”, “Rumba Club” fuses Latin and Afro-Caribbean rhythms with a straight up, front line horn section amid heterogeneous rhythmic structures on Espiritista ! The proceedings commence with a spunky version of Wayne Shorter’s “Children of the Night” featuring crystalline phrasing by alto saxophonist Paul Hannah ...

140

Article: Album Review

The Larry Goldings Trio: Moonbird

Read "Moonbird" reviewed by Jack Bowers


Larry Goldings’ organ trio gets down in a hurry on the funky “Crawdaddy,” which introduces the group’s latest recording, its first for Palmetto Records. Goldings, Bernstein and Stewart have been playing together for a decade (that’s close to a century in music–group years) and have arrived at a “Comfort Zone” that must be the envy of ...

134

Article: Album Review

The Matt Wilson Quartet: Smile

Read "Smile" reviewed by Jack Bowers


Drummer Matt Wilson leads a piano–less quartet with two horns, but if you’re expecting the second coming of Mulligan / Baker, you can shelve that notion. Wilson’s group is no lame throwback to the ’50s; on the contrary, it is almost obsessively up–to–date, using sophisticated harmonies, shifting time signatures, unconventional sounds and eccentric improvisations to press ...


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