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Otis Redding

Forty years after his passing, the legacy of Otis Redding remains stronger than ever. As the decades have gone by since December 10, 1967 when the world tragically lost one of its greatest soul singers, the power and impact of this Georgia-born R&B pioneer’s music and career shows no signs of diminishing. Through a recorded legacy that spans a mere six years (less than a decade?) but is filled with classic after classic, the man whose distinctive music influenced British rock stars and his American soul music peers alike continues to be accorded and afforded the global recognition and (borrowing the title of one of his most enduring compositions) respect he richly deserves. In the annals of rhythm and blues, few artists are as deserving of the kind of admiration and love that Otis Redding has commanded since he first came to the attention of the mainstream music-buying public in 1963. Almost as soon as his initial recordings for Stax Records became available to avid R&B fans in Europe, Otis Redding became a prime influence for groups like Britain’s Rolling Stones and indeed, the reverence for his music throughout Europe resulted in packed audiences when he headlined the now-famous Stax/Volt Revue during its spring 1967 tour of the continent

ARTICLE: INTERVIEW

Jonathan Goldman: Bump and Let It Slide

Read "Jonathan Goldman: Bump and Let It Slide" reviewed by Chris M. Slawecki

On Saturday February 29, Spanglish Fly will celebrate completing their tenth full year as America's leading producer and exporter of the wicked hot musical sauce known as Latin boogaloo with a special anniversary performance hosted by the legendary Brooklyn hotspot Barbes. The quintessential musical melting pot Spanglish Fly features musicians with roots in Puerto ...

ARTICLE: ALBUM REVIEW

Booker T & the MG's: The Complete Stax Singles: Volume 1 (1962-1967)

Read "The Complete Stax Singles: Volume 1 (1962-1967)" reviewed by Doug Collette

There have been other, more wide-ranging collections of the music of Booker T & the MG's—the three-CD, sixty-five track Time Is Tight (Stax,1998) most prominently—but The Complete Stax Singles Volume 1 (1962-1967) is comprehensive on its own terms. As is Real Gone Music's custom, the label has gone to great lengths to make sure the vintage ...

ARTICLE: UNDER THE RADAR

Jazz Societies, Part I: The Skipp Pearson Jazz Legacy Foundation

Read "Jazz Societies, Part I: The Skipp Pearson Jazz Legacy Foundation" reviewed by Karl Ackermann

Part 1 | Part 2 The oral history traditions of West African griots led the preservation and interpretation of music that would become the fundamentals of jazz. In previous Under the Radar columns we looked at institutions that further the cause of safeguarding the genre; university-level academic programs and jazz museums whose hands-on experiences, ...

ARTICLE: LIVE REVIEW

Jazz Festival Ljubljana 2019

Read "Jazz Festival Ljubljana 2019" reviewed by Henning Bolte

Cankarjev Dom Jazz Festival Ljubljana Ljubljana June 18-22, 2019 Ljubljana—capital of the Republic of Slovenia, member of the EU, neighbored by Austria, Hungary, Croatia and Italy—hosts a now six decades old jazz festival. The event is organized by Cankarjev House/Cankarjev Dom, a prestigious, state-run cultural center in midtown Ljubljana opposite the ...

ARTICLE: RADIO

A Musical Tribute to Laziness

Read "A Musical Tribute to Laziness" reviewed by H William Stine

I was feeling too lazy to come up with a theme for this week until I suddenly realized that I...well, I'm sure you're way ahead of me now so I'll stop there. Below is the playlist of the laziest songs, laziest excuses, and laziest fantasies I could squeeze into two hours, though I'm sure you'll agree ...

ARTICLE: ALBUM REVIEW

Bob Dylan: More Blood, More Tracks: The Bootleg Series Vol. 14

Read "More Blood, More Tracks: The Bootleg Series Vol. 14" reviewed by Eric Gudas

The challenge of finding something original to say about Bob Dylan's Blood on the Tracks (1975), the mother of all comeback albums, baffles even the most steely-eyed critic. But Sony has made the task easier with More Blood, More Tracks, the unfortunately titled, overpriced, but nonetheless revelatory fourteenth entry in the Bootleg Series. The six-disc Deluxe ...

ARTICLE: RADIO

Verheyen, Copland, van der Feen, McPherson Live at BIMHUIS Amsterdam

Read "Verheyen, Copland, van der Feen, McPherson Live at BIMHUIS Amsterdam" reviewed by BIMHUIS

Robin Verheyen can switch effortlessly between jazz, rock and Bach, but concentrates on acoustic improvisation with his New York quartet. The Flemish saxophonist performed recently at the BIMHUIS, accompanied by his band TaxiWars, which features dEUS frontman and cult indie legend Tom Barman. Verheyen lived in Brussels and Paris before moving to New York, ...

ARTICLE: PROFILE

Jerry Wexler e Aretha Franklin: quando la Soul Music conquistò il pianeta

Read "Jerry Wexler e Aretha Franklin: quando la Soul Music conquistò il pianeta" reviewed by Angelo Leonardi

Nei giorni successivi il 16 agosto, tutti i media del mondo hanno commentato la morte di Aretha Franklin, la straordinaria soul singer e una delle massime voci del Novecento. Una scomparsa avvenuta in singolare coincidenza di quella di Jerry Wexler dieci anni prima. Il 15 agosto 2008 se n'era andato quel produttore dell'Atlantic Records che fece ...

ARTICLE: ALBUM REVIEW

Braxton Brothers: Higher

Read "Higher" reviewed by Jim Trageser

It's interesting how certain musical styles become punching bags for the critics. Disco grew out of R&B and funk in the mid-1970s--yet by 1979 it was so despised in many quarters that the Chicago White Sox had a near-riot on their hands when they opened Comiskey Park for “Disco Demolition Night" during a double-header against the ...


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