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Konstrukt: Molto Bene
by Mark Corroto
Many listeners still cannot fathom the concept of Turkish free jazz. Consider though, the origins of free jazz both in North American. The United States claims John Coltrane, Ornette Coleman, Sun Ra, Albert Ayler, and Cecil Taylor. But let us recognize that Europe produced Evan Parker (England), Bengt Nordström (Sweden), John Tchicai (Denmark), Peter Brötzmann (Germany), ...
La Lydian Sound Orchestra al Parco della Musica di Roma
by Mario Calvitti
Lydian Sound Orchestra Teatro Studio, Parco della Musica Roma 17.02.2017 Fresca di consacrazione come Miglior Gruppo Italiano dell'anno al Top Jazz 2016, la Lydian Sound Orchestra è una band fondata quasi 30 anni fa dal compositore e arrangiatore Riccardo Brazzale, che si richiama direttamente a George Russell (nel nome del gruppo) e ...
Niculin Janett Quartet (feat. Rich Perry): No Parking Any Time
by Matthew Aquiline
Zurich-based alto saxophonist and composer Niculin Janett, in the naming of his quartet's debut album, encapsulated the essence of his music with an otherwise vexatious phrase that regularly victimizes most city dwellers: No Parking Any Time. Although irritating for motorists, an ordinance prohibiting parking in terms of music, especially jazz, would seemingly stimulate perpetual movement and ...
Sonny Rollins Trio & Horace Silver Quintet: Swiss Radio Days, Vol. 40 - Zurich 1959
by Dan Bilawsky
To some extent, the concept of glory days equates to fiction based on romanticized truth. When you talk to those who walked the walk at any seemingly important time, you learn that very quickly. Many of them would likely say that there's no time like the present, and the truth is that there's great music and ...
Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz
by Victor L. Schermer
"What a peculiar privilege has this little agitation of the brain which we call 'thought.'" --David Hume I deliberately used the words “epistemological" and “ontological" in the title in order to attract your attention. If you don't know what they mean, you're going feel put off or curious. If you do know, you're going ...
Five Classic ECM Titles in High Res
by John Kelman
If ever there were a label that deserved to have its catalog released in a high resolution format, it's Munich's ECM Records. Since its inception in 1969, the multiple award-winning record label headed by producer Manfred Eicher has truly redefined how, initially, jazz and improvised music recordings could--and, at least for some, perhaps should--sound. Attention to ...
William Parker: 65th Birthday Celebration Concert at the Painted Bride
by Victor L. Schermer
William Parker and Friends Painted Bride Arts Center William Parker 65th Birthday Celebration Philadelphia, PA January 21, 2017 To celebrate the 65th birthday of legendary bassist William Parker, the Painted Bride Arts Center, Ars Nova Workshop, and Bobby Zankel's Warriors of the Wonderful Sound joined forces to sponsor a ...
John O'Gallagher Trio: Live In Brooklyn
by Roger Farbey
Over the past 25 years, altoist and New York resident, John O'Gallagher has worked with the likes of Joe Henderson, Maria Schneider, Kenny Wheeler, Billy Hart and Chris Cheek amongst many others. German born but long-time New Yorker bassist Johannes Weidenmueller has played with the Hank Jones trio, the John Abercrombie quartet, Joe Lovano and many ...
Matthew Shipp: Let's Do Lunch!
by Yuko Otomo
When Matthew Shipp asked me to design the cover art for his Points album (Silkheart Records, 1992), I showed him works from the on-going drawing study I was engaged in. He picked one graphite drawing and said, “Wow! This is exactly what's happening inside my mind when I play the piano!" Here, we talk ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
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