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Article: My Favourite Things

Benoît Delbecq e il Questionario di Proust

Read "Benoît Delbecq e il Questionario di Proust" reviewed by Paolo Peviani


Il tratto principale della mia musica La sonorità. La qualità che desidero nei musicisti che suonano con me La generosità. Come musicista, il momento in cui sono stato più felice Quando ho incontrato Mal Waldron, a 17 anni, nel 1983. Come musicista, il mio ...

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Article: Album Review

Albert Ayler: Copenhagen Live 1964

Read "Copenhagen Live 1964" reviewed by John Sharpe


Even more than 50 years on, there's still never been anyone quite like Albert Ayler. Or for that matter like this 1964 Quartet, which was one of the few ensembles during his career to match the tenor saxophonist against equally forward thinking peers. Bassist Gary Peacock was fresh from pianist Bill Evans' Trio, cornetist Don Cherry ...

6

Article: Album Review

Bobby Zankel: Celebrating William Parker at 65

Read "Celebrating William Parker at 65" reviewed by Victor L. Schermer


This recording is of a live concert at the Painted Bride Arts Center in Philadelphia on January 21, 2017 to honor bassist William Parker on his 65th birthday and in which he served as bassist. Saxophonist Bobby Zankel composed, arranged, and led a four part Suite with Parker's influence in mind and which allowed ample room ...

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Article: Album Review

Liebman/Murley Quartet: Live at U of T

Read "Live at U of T" reviewed by Dan McClenaghan


Veteran jazz-er Dave Liebman and Mike Murley blow their saxophones like kindred souls on Live at U of T. In front of an appreciative audience, fronting an inspired bass/drum team, and no guitar or keyboard in the mix--the music is a mixture of liquid freedom, low flame fire, and relative restraint (the “restraint" thing in consideration ...

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Article: Album Review

Wadada Leo Smith: Najwa

Read "Najwa" reviewed by John Sharpe


Trumpeter Wadada Leo Smith is no stranger to plugged-in performance. Like Ornette Coleman and Miles Davis, his musical systems prove just as applicable to electronic as to all-acoustic environments. Indeed one of Smith's earliest such immersions was Yo Miles! inspired by Miles' 1970s guitar shredding bands. Multiple electric strings have also formed an integral part of ...

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Article: Album Review

Gard Nilssen: Live In Europe

Read "Live In Europe" reviewed by Mark Corroto


Clocking in at just a minute over two-hours of music, the three CDs (or LPs, if you'd like) that make up Live in Europe provide an audacious excursion into creative music. The drummer, known for his work in multiple groups such as the quartets Cortex and Starlite Motel, Bushman's Revenge, Zanussi Five, and the Trondheim Jazz ...

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Article: Live Review

Pat Metheny at Belfast Waterfront

Read "Pat Metheny at Belfast Waterfront" reviewed by Ian Patterson


Pat Metheny Belfast Waterfront Belfast, N. Ireland November 14, 2017 “We've been trying to get a gig here for forty two years," Pat Metheny told the crowd at the Belfast Waterfront. Happily, the Missouri guitarist had at last found the city. It had been hidden out of sight all the time, ...

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Article: What is Jazz?

The Many Faces of Jazz Today: The Big Picture

Read "The Many Faces of Jazz Today: The Big Picture" reviewed by Victor L. Schermer


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 [In a series of five interviews entitled “The Many Faces of Jazz: Critical Dialogues," All About Jazz asked three musicians, a public relations manager, and a jazz educator about the state of jazz in the world today. ...

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Article: Album Review

John Bickerton: Submerged

Read "Submerged" reviewed by Karl Ackermann


Pianist and composer John Bickerton has been absent from active recording since his 1999 Shadow Boxes (Leo Records). That trio outing established his proficiency at blending lyricism, free jazz and the avant-garde as he had done on his previous release Drinking from the Golden Cup (Loud Neighbors Music, 1997). He returns almost twenty years later with ...

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Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann


Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...


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