Home » Search Center » Results: Ornette Coleman
Results for "Ornette Coleman"
Cortex: Avant-Garde Party Music
by Vic Albani
Fossero tutte così le party-band! Cortex e Clean Feed colpiscono ancora e questo nuovo e ironico Avant-Garde Party Music la dice lunga sulle prospettive dello straordinario quartetto norvegese che dà alle stampe un nuovo capitolo della loro fortunata discografia. Se qualcuno cercasse una naturale evoluzione di un moderno hard-bop che attraversando gli insegnamenti di ...
Aruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich
by Karl Ackermann
Live in Zürich is the twelfth album from Cuban avant-garde composer and pianist Aruán Ortiz. Of those recordings widely available in the US, Ortiz has worked with a variety of group formats. His quartet released Orbiting (Fresh Sound New Talent, 2013), was followed by a trio outing on Hidden Voices (Intakt Records, 2016) and two successive ...
Bobby Zankel: Celebrating William Parker at 65
by John Sharpe
To mark bassist William Parker's 65th birthday, Philly-based reedman Bobby Zankel convened an all star sextet which included the honoree for a presentation of free jazz collectivism at the city's Painted Bride Arts Center in January 2017. Although not regular collaborators, they go back a long way. The pair first hooked up back in the loft ...
Steve Khan: Public Access / Headline / Crossings
by John Kelman
It's been a great couple of years for Steve Khan fans who are (relatively) new to the guitarist's work, especially his early releases, thanks to UK-based BGO Records. First, his '70s-era trio of fusion-centric LPs on Columbia Records, 1977's Tightrope, 1978's The Blue Man and 1979's Arrows, were remastered and reissued in a 2015 two-CD set, ...
Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers
by Mark Corroto
In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Jazz Musician of the Day: Ornette Coleman
All About Jazz is celebrating Ornette Coleman's birthday today! Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance- Coleman was 29 at the time- but actually, the title was prophetic. Coleman is the creator of a ...
Zhenya Strigalev: Blues For Maggie
by Roger Farbey
The follow-up to Zhenya Strigalev's idiosyncratic Never Group (Whirlwind 2016) takes a rather different tack, opening with the reggae-infused “Not Upset" and utilising a new creation, a so-called “alto box." His deployment of his erstwhile college mate from London's Royal Academy of Music, Chilean guitarist Federico Dannemann is a genius move. It's easy to see why ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Gordon Hyland: NEVER DIE! by \\livingfossil//
by Friedrich Kunzmann
\\livingfossil// is the most recent brainchild of Canadian saxophonist Gordon Hyland. The Toronto-based musician and composer continues to release his versatile compositions in a multitude of formations of various different names, such as the acoustic saxophone trio Simple Shapes or the progressive-electronic project Ninja Funk Orchestra. Members of the latter are reunited with Hyland on his ...
Album Showcase
Trending
Interview
Lou Marini: A Solo Career Starting At The Age Of 80
History of Jazz
John Coltrane in Detroit: A Brief History
Live Review
Detroit Jazz Festival 2026: A Gathering in a Great Jazz City
Live Review
The Tension Is Where the Music Lives: Miles Davis at 100,...
Jazz Raconteurs
Julius Hemphill: Marty Ehrlich and Tim Berne Remember a...
Radio & Podcasts
Sullivan Fortner, Jim Rotondi & Dena DeRose, Ardeshir,...
Reanimating Conversations Past
Charlie Haden: Anatomy of a Jazz Classic
VOTE!
