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Ornette Coleman: Genesis of Genius: The Contemporary Albums
by Jeff Kaliss
For many an Ornette Coleman devotee, devotion was pledged with the singular saxophonist's The Shape of Jazz to Come (Atlantic). It was recorded in May and released in November of 1959, and it's a matter of when in our life we caught up with it. For some of us, that's when we first felt liberated by ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Charles Mingus: The Lost Album from Ronnie Scott's
by Mike Jurkovic
After the emotional and economic bankruptcies of the late 1960s that nearly took him out of the picture entirely, 1972 broke well for Charles Mingus. He had re-signed with Columbia and delivered the revered Let My Children Hear Music. (He would, a year later, be part of the great Clive Davis jazz purge of 1973 which ...
Vossa Jazz 2022: In Three Dimensions
by Josef Woodard
Vossa Jazz Festival Voss, Norway March 31-April 2, 2022 Like many jazz festivals trying to find a safe passage through the challenging pandemic hurdles, Norway's venerable Vossa Jazz festival kept the faith via “Plan B" operations in the past two years. Hybrid streaming and live models and a pared-down festival last September ...
Live From Berlin: Kammerer OrKöster, A Night Of Turkish Free Improvisation & Objects To Be Destroyed
by Martin Longley
Kammerer OrKöster b-flat Acoustic Music & Jazzclub November 2, 2021 In the central Mitte area of Berlin lies b-flat, one of the city's chief jazz clubs, conveniently a basement den, although with more space than many such joints. Tables and side-seats are comfortably scattered without crowding-out, and the bar area ...
Third Thursdays with Dave Bryant And Friends: A Monthly Harmolodic Jazz Series Starting In April 2022
Keyboardist and composer Dave Bryant has many friends. Many who also happen to be notable local, national, and international jazz artists, who have collaborated with Cambridge-based Bryant on different projects over a span of decades. Those connections began to grow in the early 1980's, within a year after Bryant completed his formal undergrad studies at Berklee. ...
April 2022
by Pat Youngspiel
Remboato Remboato Nagalu 2022 After pianist Koichi Sato's Embryo—praised in a recent Six Picks issue not only for its musical excellence but also for the elaborate packaging and presentation that Shinya Fukumori's Nagalu label offers— Remboato is the Japanese label's second outing of the year and features a remarkable acoustic ...
Roberto Zorzi: esplorazione senza confini
by Angelo Leonardi
Il percorso musicale del chitarrista Roberto Zorzi è così ricco ed eclettico che è impossibile includerlo in un particolare genere musicale. L'iniziale amore per visionari artisti rock come Robert Fripp e Brian Eno s'è arricchito nel tempo di approcci, tanto liberi quanto anticonvenzionali, di Derek Bailey e altri esponenti dell'avanguardia inglese degli anni settanta. La ricerca ...
Cook / Coursil / Gale / Robinson / Tintweiss: Ave B Free Jam
by Richard J Salvucci
A small story to motivate this review. Once upon a time, there was a scholar in a field of the humanities who wrote quite obscurely, even for the humanities, although his prose did not approach the glories of the postmodern. Most agreed that his writing was incomprehensible. It was sesquipedalian, if not totally obscure. In his ...
Take Five With Adam Nolan
by AAJ Staff
Meet Adam Nolan Born on August 6, 1993, in Kilkenny, Ireland. Adam Nolan is at the forefront of modern free jazz. Each album is based on improvised concepts and styles forever growing and changing whilst maintaining flow-states achieved from meditation before the sessions and live performances. To date he has released over 15 albums and continues ...
