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Can You Judge an Album By Its Label?
by Dave Hughes
This article was first published at All About Jazz in March 1999. For almost as long as there have been record labels, many labels have sought to build a reputation or a brand identity for themselves in terms of the genre of music presented on their labels or the technical quality of their product. ...
When is a Jazz Festival (Not) a Jazz Festival?
by John Kelman
This article was first published at All About Jazz on May 20, 2011. It's becoming almost pandemic for jazz festivals around the world to be challenged for deciding to broaden their programming into areas either peripherally related to jazz... or, in some cases, away from jazz entirely. Festivals like the near-iconic Montreux Jazz Festival, ...
I Want You di Marvin Gaye: una rigogliosa foresta di simboli jazzistici.
by Maurizio Zerbo
L'approccio multidisciplinare della scuola storiografica Les Annales offre interessanti spunti di riflessione anche per lo studio della popular music, attraverso un'analisi incrociata di fonti musicali, etnologiche, iconografiche, letterarie, fotografiche e cinematografiche. Grazie al visionario quadro The Sugar Shack del pittore statunitense Ernie Barnes, la copertina di I Want You è una rigogliosa foresta di ...
Sam Sadigursky e i suoi Solomon Diaries
by Gianni Morelenbaum Gualberto
L'estate a New York è sempre stata umida e soffocante. E così l'avvertivano Abraham e Molly Brickman, da poco emigrati dalla Russia. Era il 1908, dopo pochi anni i due coniugi decisero che la metropoli non faceva per loro. Acquistarono un appezzamento di terra a poco prezzo a South Fallsburg, nella contea di Sullivan (detta anche ...
Renegade or Retrograde: Questioning Little Richard's Legacy
by Jacob Bloomfield
In the many retrospectives on rock musician Little Richard since his death on 9 May 2020, some major narratives have emerged: he has been alternatingly cast as a queer forefather in the tradition of Oscar Wilde; a transgressive figure who broke racial, gender, and/or sexual boundaries; and a music pioneer largely defined by his influence on ...
A response to yet another senseless public murder of a Black Citizen by officers of the law
by Wynton Marsalis
With the crescendo of public outcry and proliferation of opinions and justifiable expressions of outrage by so many experts, officials and popular celebrities, I fear there's little room or need for yet another person voicing a commonly held opinion. I also believe that the everyday tragedies that are commonplace and routine to our everyday ...
Black Lives Matter, Black Culture Matters
by Franz A. Matzner
Black lives matter. I am a jazz writer, so my lens on this truth is in some respects through music. The protests sweeping the countryand globeare potent and necessarily focused on ending racial violence and police brutality. The images we see with increasingly open eyes of the barbaric treatment of African Americans are changing perceptions and ...
On Missing Live Jazz
by Douglas Groothuis
This pandemic has snatched much from us through its reign of disease and death. We have lost family, friends, coworkers, and acquaintances to COVID-19. Millions have lost jobs or fear losing them. By all accounts, the whole thing stinks. We try to cling to what remains, and we hope and pray for restoration. How ...
Can Jazz Survive COVID-19? China Has Tested the Waters
by Jiaowei Hu
In the coming weeks, Frank Sinatra's line I wanna wake up in a city that doesn't sleep" from New York, New York" may not strike a chord. On March 17, the epicenter of jazz ground to a halt. By the decree of governmental enforcement, all jazz venues in jny: New York City announced closures ...
New Media, Jazz and Camille Bertault
by S.G Provizer
A recent headline in Fortune.com read: Why 'Success' on YouTube Still Means a Life of Poverty." Hundreds of thousands, even millions of views often result in meaningless royalty checks to musicians from YouTube (owned by Google). And yet, there are musicians whose videos on that platform, combined with a Facebook and Instagram presence, have either created ...