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Josh Roseman: Reimagining the Constellations
by R.J. DeLuke
Josh Roseman is a busy man. Extremely busy. He's also an extremely bright one, which is good because otherwise one might pause to consider whether, with all those activities, he is wearing himself too thin. Turns out he is spreading wide, but nothing about him or his many pursuits is thin. Especially not his creativity.
Newest ARC Members Cover Broad Demographic of Talent
2010 has seen a continual growth of the Artists Recording Collective roster of member artists and producers. ARC includes GRAMMY winners and musicians who create high quality and thoughtful work of most all styles across the entire jazz spectrum. Two exciting young artists, saxophonist, Anthony E. Nelson, Jr. and guitarist, Dan Arcamone have joined ARC. These ...
Tarbaby: The End Of Fear
by Dan Bilawsky
Virtually every musician deals with fear at one time or another. Perhaps it comes with a first opportunity to perform in an ensemble, or maybe it arrives when first taking flight and leaving the relative comforts of written music, searching for an elusive sound through an improvised medium. Regardless of when it happens, performers have to ...
Tarbaby: The End Of Fear
by Bruce Lindsay
A band name that some might see as confrontational--although the band denies this--an album title that could be wildly optimistic, a statement of faith or simply ironic; some of the fieriest jazz players on the scene and a scary Hieronymus Bosch-style cover design. What kind of music might emanate from such a combination? Free form, loud, ...
Jazz Middelheim 2010
by Martin Longley
Jazz MiddelheimPark Den BrandtAntwerpen, BelgiumAugust 12-15, 2010 The Jazz Middelheim festival is a weekender that hasn't relinquished its fondness for adventure over the last four decades. Nuzzling up against stellar bookings are acts, Belgian and otherwise, who seek to jolt the expectations of many audience members. The entertaining middle way ...
George Cartwright: Barrier Islands Bird
by Gordon Marshall
George Cartwright can't be forgotten. The triple sax threat is part of the archaeology of modern New York. The downtown scene, just like New Orleans or 52 Street, has its mythology, and, as much as John Zorn, Cartwright figures in that, having come to the city fresh out of The Creative Music Studio in Woodstock, New ...
Take Five With Kali. Z. Fasteau
by AAJ Staff
Meet Kali. Z. Fasteau: Kali. Z. Fasteau is from a musical family, playing piano, cello, flute, and voice since early childhood in Paris and New York. Her piano teacher, for eight years, was Olga Heifetz. She started improvising at age 14. She received post-grad degrees studying the music of Asia, Africa, 20th Century ...
Robert Levin: The War is Over - A Conversation About Jazz
by AAJ Staff
[Editor's Note: Interview conducted by Eleanor Brietel, New York Editor of The Drill Press. Most of this interview, originally published on the Buzzle website, was conducted via email.] Eleanor Brietel: You've published fiction and you also write essays on a variety of subjects. I want, however, to confine this discussion to your ...
Michael Gregory Jackson: Clarity
by Raul d'Gama Rose
Michael Gregory is the quintessential modern troubadour. He may not sing in a Romance language, but he turns his instruments of choice--guitar and voice--into a powerful language that enables him to recreate the sensuous, reverential and spiritual literature that, in turn, enormously enhances his songbook. Gregory turns on the charm on Clarity, a short, but memorable ...
Rag, Saddle and All: Curlew and George Cartwright / Davu Seru
by Clifford Allen
Saxophonist and composer George Cartwright might not be an oft-repeated name in creative improvised music, but he should garner a weighted whistle whenever he does crop up. Raised in Mississippi and now calling Minneapolis home, Cartwright was co-leader of the seminal New York post-RIO/squirrely downtown jazz ensemble Curlew, alongside cellist Tom Cora, throughout the 1980s and ...
