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Album

Segunda Cita

Label: Ojala
Released: 2010
Track listing: Toma; Tonada del Albedrío; Carta a Violeta Parra; San Petersburgo; Demasiado; Sea Señora; El Gigante; Huracán; Bendita--Yo Fui Una Vez; Segunda Cita; Trovador Antiguo; Dibujo en el Agua II.

280

Article: Album Review

Silvio Rodriguez: Segunda Cita

Read "Segunda Cita" reviewed by Jeff Dayton-Johnson


Jazz fans will be familiar with Cuban singer-songwriter Silvio Rodríguez as the composer of “Rabo de Nube," a musical air of impossible loveliness highlighted as the title track of a 2008 album on ECM by Charles Lloyd; there's also an earlier version by Charlie Haden's Liberation Music Orchestra, on their Dream Keeper (DIW, 1990). Lloyd, in ...

Album

Ojala

Label: Self Produced
Released: 2007
Track listing: Ojala; Gatito e las Penas; Gris; Danca da Solidao; Silence 1; Silence 2; La Nostalgiosa; Alma del Pueblo; El Suicida; You Don't Know What Love Is; El Silbador.

183

Article: Album Review

Sofia Koutsovitis: Ojala

Read "Ojala" reviewed by Simon Calle


On her debut recording Ojalá, Argentinean singer Sofia Koutsovitis fuses several Latin American rhythms with a post-bop aesthetic to create a fresh and innovative sound. Koutsovitis belongs to a new generation of Latin musicians who in the last fifteen years or so, have created diverse blends of jazz styles with several South American musicians-- enriching their ...

Album

Ojala

Label: Self Produced
Released: 2006
Track listing: Ojala; Gatico e las Penas; Gris; Danca da Solidao; Silence 1; Silence 2; La Nostalgiosa; Alma del Pueblo; El Suicida; You Don't Know What Love Is; El Silbador.

206

Article: Album Review

Sofia Koutsovitis: Ojala

Read "Ojala" reviewed by Budd Kopman


Originally from Buenos Aires, Argentina, Sofia Koutsovitis now resides in New York City, but she brings her entire Argentinian, Brazilian and Peruvian musical background to this recording. She mixes and elegantly fuses these influences with a jazz aesthetic on Ojala, a unique, very attractive and extremely seductive recording. Many of the rhythms are ...


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