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The New Birth Brass Band: D-Boy
by Robert Spencer
This disc is a wonderful treat from the young (no one is over 31) New Orleans sextet that is reviving the brass band sound that came out of New Orleans and swept the country in the early years of this century. But the New Birth Brass Band is by no means a tired trad group reviving ...
Amadee Castenell: Amadee
by Robert Spencer
More groove-laden contemporary jazz from Allen Toussaint's NYNO. Amadee Castenell plays a gritty R&B tenor (and flute on “Angels"), backed by a funky ensemble consisting of Toussaint's piano on four tracks, pianist Chuck (not Charlie) Chaplin on three others (he also plays Fender Rhodes on one), the smooth synthesizers of Larry Sieberth, Scott Goudeau on guitar, ...
James Andrews: Satchmo of the Ghetto
by Ed Kopp
1/2 New Birth Brass Band leader James Andrews makes his solo debut on Satchmo of the Ghetto, an upbeat release that mixes second-line jazz with New Orleans Ninth Ward R&B. Singer-trumpeter Andrews lifts expectations with the evocative nickname he's chosen for himself, but he truly merits comparisons to the original Satchmo. Andrews has a similar gravelly ...
Allen Toussaint: Connected
by Douglas Payne
Connected offers a generous program (62 minutes) of some of the best, most soulful pop that's been heard in the last twenty years. Such style must seem old-fashioned now. No samples, no contrived rhythms, no phony raps and hardly any concessions to contemporary popular music. Stuff this good hasn't been heard since the late 70s when ...
The New Birth Brass Band: D-Boy
by Jim Santella
The sound of tuba and marching drums echoing through the streets of New Orleans must have made quite an impression on the forefathers of jazz. A tight unit, the New Birth Brass Band blends trumpet, trombone and tuba melodies with basic percussion rhythms and adds in a side order of fun. Each member of the ensemble ...
James Andrews: Satchmo Of The Ghetto
by Jim Santella
With Allen Toussaint and Dr. John backing him on organ and piano, James Andrews presents the kind of fun-loving music that takes place in Preservation Hall. Not one to employ etude drills or carefully-articulated tonguing exercises, the trumpeter remains loose and lyrical. Similarly, his singing has roots in blues and trad jazz; it's music intended to ...
Allen Toussaint: Connected
by Jim Santella
With roots in both Gospel and Ragtime, New Orleans singer-pianist Allen Toussaint has assembled an enjoyable session that appeals to a broad audience. From an outsider's point-of-view, Toussaint's ensemble shares that “Crescent City mystique" espoused by Dr. John, The Neville Brothers, The Dirty Dozen & New Birth Brass Bands, and others. While this session combines folk, ...
Amadee Castenell: Amadee
by Jim Santella
Tenor saxophonist Amadee Castenell plays smooth jazz with support from electric bass & guitar, keyboards & synths, and a drummer's back beat rhythms. Melodic, with acoustic piano fills and guitar doubling, Castenell's tenor takes center stage throughout the session. The leader has recorded with Lee Dorsey, The Neville Brothers, Dr. John, and Johnny Adams; her reverence ...
Grace Darling: Imaginary Lover
by Jim Santella
New Orleans supplies the rhythms, Al Kooper supplies the title track, and Grace Darling supplies the pop vocals. Loose and expressive, the singer works with a strong band and capable male backup vocalists. Darling adds her lucid tenor saxophone on seven tracks for color and variety. In her hands, the instrument sings out clear and strong, ...
Allen Toussaint and Friends: A New Orleans Christmas
by Robert Spencer
Allen Toussaint appears on piano and / or keyboards on ten of these thirteen tracks, which are a good representative sampler of the current New Orleans sound. If that doesn't mean anything to you, think of “The Man who Sang with Linda Ronstadt" a few years back. He, of course, doesn't appear here, but the folks ...
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