Home »
Jazz Articles » Album Review » James Andrews: Satchmo Of The Ghetto
James Andrews: Satchmo Of The Ghetto
With Allen Toussaint and Dr. John backing him on organ and piano, James Andrews presents the kind of fun-loving music that takes place in Preservation Hall. Not one to employ etude drills or carefully-articulated tonguing exercises, the trumpeter remains loose and lyrical. Similarly, his singing has roots in blues and trad jazz; it's music intended to entertain an audience with good old-fashioned down-home charm. The supporting ensemble is stellar; besides the keyboard leadership, the band includes drummer Bernard "Bunchy" Johnson, electric bassist Charles Moore, and guitarist Scott Goudeau.
"Sweet Emma," "Catch the Willie," and "Got Me a New Love Thing" represent the lead vocal style of Andrews; the band sings backup to his entertaining tales. "Banana Boogie," "The Old Rugged Cross," and "Going for the Money" represent the brassy, happy trumpet style of Andrews; the addition of growls and slight ending shakes serve to extend his emotive intentions. Like Louis Armstrong, James Andrews sings and plays the trumpet to entertain an open-minded audience. It's music from the heart of New Orleans, carrying with it the influences of a century.
Personnel
James Andrews: trumpet, vocals; Mac "Dr. John" Rebennack: piano, organ, backing vocals; Allen Toussaint: piano, synthesizer, backing vocals, percussion; Scott Goudeau: guitar; Charles Moore: bass; Bernard "Bunchy" Johnson: drums, backing vocals; Henry Love Vaughn: congas; Austin Davis, Flynn Forte, Kwame Johnson, Rodrick Price: backing vocals.
Album information
Title: Satchmo of the Ghetto
| Year Released: 1998
| Record Label: NYNO
PREVIOUS / NEXT
Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to
future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by
making a donation today.