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A Uiš?

Label: Not Two Records
Released: 2020
Track listing: A Uiš

Prism

Label: Not Two Records
Released: 2020
Track listing: F.J.D.; Prism; Listen to Dr. Cornell West; Variation on a Master Plan; Sal’s Song; The Bee; Zeit Lupe.

That Time

Label: Not Two Records
Released: 2020
Track listing: Introductions; Watts Parker Beckett To Me Mr. Riley; Statements III; Quasimode III; Appolysian.

Pentas: Tribute To Eric and Chris Stern

Label: Not Two Records
Released: 2020
Track listing: Not Together; Pentas; Wind Chill; Itsumo Itsumo; Stillness; Rising; Rnovation; Circle.

Re-Collect

Label: Not Two Records
Released: 2020
Track listing: Exordium / Salt; Sweat The Grub / On The Floor; Razorlip; Lungfish; Sometimes; Backfire.

Spiracle

Label: Not Two Records
Released: 2020
Track listing: Book Lung; Stigma; Atlas Moth; Valve; Haemolymph.

Mantle

Label: Not Two Records
Released: 2020
Track listing: Nine Steps to the Ground; Metaphors; From Spring to Summer; Your Shadow; Encounter; Straw Coat; Came, Left; Autumn Sky; The Temple Bell.

ARTICLE: ALBUM REVIEW

Conference Call: Prism

Read "Prism" reviewed by Jerome Wilson

Most jazz groups that stay together for a long time, such as The Modern Jazz Quartet or The Art Ensemble of Chicago, achieve a certain prominence. It is a surprise then to realize that the lesser-known band, Conference Call, has been around since 1999 and is here releasing its eighth album. The group's core ...

ARTICLE: ALBUM REVIEW

Satoko Fujii / Natsuki Tamura: Pentas: Tribute To Eric and Chris Stern

Read "Pentas: Tribute To Eric and Chris Stern" reviewed by Dan McClenaghan

Pianist Satoko Fujii and trumpeter Natsuki Tamura came off a European tour in 2019 and went into the studio in Krakow, Poland, and recorded Pentas, their seventh duo disc, an effort that joins the Fujii/Tamura pairings How Many (Libra Records, 1997), Clouds (Libra Records, 2002), Like In Krakow, In November (Not Two Records, 2006), Chun (Libra ...

ARTICLE: ALBUM REVIEW

Conference Call: Prism

Read "Prism" reviewed by Dan McClenaghan

Prism, by the band Conference Call, sounds, on the set's opening tune, “F.J.D.," like a bunch of guys who might mug you: a brash, turbulent, confrontational crowd with a “we-don't-take-no-mess-from-nobody" approach to making music. Credit reedman Gebhard Ullmann with his grouchy, working-man-roused-from-his-afternoon-nap tenor sax sound, and the powerful bass (which you can feel in your bones) ...


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