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Ben Webster: In Norway
by Chris Mosey
Ben Webster refused to fly. When he visited Norway from Denmark, his adopted homeland, he went by boat and when he got there would blame his somewhat uncertain gait on his “sea legs," rather than the large amounts of alcohol he had consumed in the vessel's bar. Sometimes his “sea legs" were so bad, initial concerts ...
Jan Bang: Narrative From The Subtropics
by Henning Bolte
For Norwegian electronic musician Jan Bang, the studio is no longer a perfectly isolated space to assemble and produce fictitious beautiful sounds--a boundary he has long since transcended. He not only brought studio equipment and techniques to the performing stage but he also started using them as tools in live improvisation. Together with fellow musician and ...
Jan Bang: Narrative from the Subtropics
by John Kelman
There are times when it seems everything that has come before suddenly coalesces, reaches critical mass and engenders near-exponentially increased success and opportunity. For Jan Bang and Erik Honoré, their Punkt live remix festival has evolved, since its early inception in Kristiansand, Norway, into a musical aesthetic brought to other festivals like Mannheim's Enjoy Jazz and ...
Arve Henriksen: Places of Worship
by John Kelman
In a career that, from an international perspective, began with Norwegian noise improv group Supersilent's debut, 1-3 (Rune Grammofon, 1997), trumpeter Arve Henriksen's ascendant trajectory has gone from strength to strength, milestone to milestone. It's been a long wait for Places of Worship, the follow-up to his leader debut for ECM Records, Cartography (2008), but it's ...
Losen Records: New Norwegian Sounds
by Jakob Baekgaard
Mention the phrase “the Norwegian sound" and many listeners will get an image in their head. An image of a natural, deep echoing sound influenced by the mountains and hills of the Norwegian landscape. Such an image is, of course, a cliché, but to some critics it has stuck and distorted the rich fertility of the ...
Terje Rypdal: Melodic Warrior
by John Kelman
Some albums are worth the wait, even if that wait is a full decade. The lion's share of guitarist Terje Rypdal's Melodic Warrior is devoted to the nine-movement title suite, a 2003 recording with the Bruckner Orchester Linz and, most importantly, the Hilliard Ensemble, the vocal ensemble that leapt to greater fame with Officium (ECM, 1993), ...
Monkey Plot: Lov og lette vimpler
by Eyal Hareuveni
The title of this debut album from young Norwegian trio Monkey Plot, Løv og lette vimpler ("leaves and light streamers" in Norwegian) suggests a glimpse into its impressive range. The musical vocabulary of these musicians--acoustic guitarist Christian Skår Winther, double bassist Magnus Skavhaug Nergaard (both members of the noisy, in-your-face punk-jazz trio Ich Bin N!ntendo) and ...
Christian Wallumrod Ensemble: Outstairs
by John Kelman
After a four-year break following the biennial run of four recordings beginning with 2003's Sofienberg Variations and ending with 2009's Fabula Suite Lugano (all on ECM), Christian Wallumrød returns with Outstairs. Building on the strength of what came before, the pianist/composer continues to assert a clear identity with this slightly altered ensemble, not only capitalizing on ...
The Geordie Approach: Inatween
by Ian Patterson
At the risk of pigeonholing The Geordie Approach's music, there's really nothing like a little Noise/skronk/experimental electro/free jazz/pounding post-rock to shake off the cobwebs. The trio's debut album, Why Eye (Bruce's Fingers, 2007) will have deterred the faint hearted with its intense free improvisations, and equally, sucked in more adventurous listeners into the all-enveloping spiral of ...
Molde International Jazz Festival 2013
by John Kelman
Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...
