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Max Johnson Quartet: The Prisoner
by Eyal Hareuveni
Double bassist Max Johnson's new suite The Prisoner is inspired by the futuristic British cult TV series from the end of the sixties by the same name. This series was a source of inspiration for many artists, among them The Clash, Iron Maiden, and avant-garde sound artist David Shea. New York-based Johnson assembled a quartet of ...
Mikolaj Trzaska/ Devin Hoff/ Michael Zerang: Sleepless In Chicago
by John Sharpe
With Poland proving such a welcoming venue for so many of Chicago's finest, it's no surprise to see a little quid pro quo from time to time. Reedman Mikołaj Trzaska, one of his country's most forward thinking players, has collaborated with various visiting Americans, most notably Joe McPhee and Ken Vandermark, but it is as a ...
Daunik Lazro / Joëlle Léandre: Hasparren
by John Sharpe
Whether one rates a free improv album or not can be notoriously subjective, depending as much on the listener's mood as any musical attribute. So when a recital comes along by two of France's most adventurous musicians where everything seems to just click, it's worth teasing out what makes it such a success. Let's be clear, ...
Christine Wodrascka/ Jean Luc Cappozzo/ Gerry Hemingway: Grey Matter
by John Sharpe
Impromptu meetings between improvisers hailing from diverse backgrounds are by now a commonplace event. But it's less usual is for the resultant grouping to take on a collective name, the surnames or initials normally sufficing for commoditization. For a group to perform under a moniker implies both a sense of purpose and a strong shared identity, ...
Howard Riley: Live With Repertoire
by John Sharpe
British pianist Howard Riley's previous album on No Business, the monumental The Complete Short Stories: 1998-2010 (2011), was a revelation to many, collecting together 6 CDs of stunning aphoristic improvisations. However on Live With Repertoire, as the title suggests, the pianist concentrates primarily on the songbook, particularly Monk, one of his touchstones along with Ellington. In ...
Tchicai - Kohlhase - Fewell - McBee - Hart: Tribal Ghost
by John Sharpe
Of all the collaborations in the later years of legendary reedman John Tchicai, some of the most fertile were in the company of guitarist Garrison Fewell, whether under the Dane's leadership like One Long Minute (NuBop, 2012) and Big Chief Dreaming (Soul Note, 2005) or in undocumented appearances with the guitarist's Variable Density Sound Orchestra. Joining ...
Kidd Jordan/Alvin Fielder/Peter Kowald: Trio and Duo in New Orleans
by John Sharpe
Tenor saxophonist Edward Kidd Jordan and drummer Alvin Fielder have been a fixture in their southern outpost for nigh on forty years, but they've rarely been heard to such good effect as on Trio and Duo in New Orleans. This wonderful two CD set brings together music from three separate dates. The first disc (also available ...
Daunik Lazro / Joëlle Léandre: Hasparren
by Eyal Hareuveni
French baritone saxophonist Daunik Lazro and double bass master Joëlle Léandre began to collaborate almost thirty years ago. This collaboration has yielded one trio recording, Sweet Zee (Hathut, 1984 with trombonist George Lewis), two quartet recordings, Paris Quartet (IIntakt, 1989, with pianist Irène Schweizer, and trombonist Yves Robert, and Madly you (Potlatch, 2002, with violinist Carlos ...
Melodic Art-Tet: Melodic Art-Tet
by Alberto Bazzurro
Su doppio LP (tirato in 400 esemplari) o singolo CD (di quasi ottanta minuti), la benemerita etichetta lituana NoBusiness Records porta alla luce un altro reperto d'epoca, in questo caso, oltre tutto, riguardante una formazione altrimenti inedita su disco. Si tratta del Melodic Art-Tet, prodotto abbastanza tipico del cosiddetto loft jazz, colto in una registrazione radiofonica ...
2° ‘etage: Grey Matter
by Glenn Astarita
The album liners disclose that 2° 'etage improvises with the panache of storytellers, painters and poets. Starkly expressive, the program is sculpted with a mindset that parlays the old adage, “let the chips fall where they may," largely framed on airy dialogues, minimalism and unorthodox soundscapes. They work from a platform, consisting of fractured passages and ...
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