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About Noah Jarrett
Instrument: Bass, acoustic
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Noah Jarrett
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Knu Gmoon (‘New Moon’) Project is a Brooklyn-based sextet with a fresh and intuitive approach to modern jazz and improvisation. A fusion of simple, straightforward musical ideas (folk/indigenous), with more propellent and/or complex musical ideas (environmental), both react to the other’s different speed, intensity, and mood, forming an exciting and new mode for improvisation. Bassist/composer Noah Jarrett leads the group with a strong backbone and rhythmic prowess, as drummer/tabla Rohin Khemani and percussionist Rich Stein weave and propel the groove forward. Mike Gamble, a virtuoso guitarist, syncopates and adds to the already colorful spectrum, while laying a foundation for many beautiful melodies and improvisations to arise from alto saxophone/flutist Loren Stillman and tenor/soprano/flutist Tony Barba. Against a strong backdrop of groove and musical chemistry, solos and melodies hover and combine to bring to ears a new reality in jazz and improvisation.
8th Annual Red Hook Jazz Festival Takes Place June 14 & 21 In The Urban Meadow
“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill... The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New ...
The Inbetweens: Quantum Cowboy
by Elliott Simon
Electric guitarist Mike Gamble rules the traditional blues/rock/funk corners of his instrument extremely well but it is his artistry and compositional command that make these creative improvisations worthy of multiple listens. Here, he combines with a risk-taking rhythm section of acoustic bassist Noah Jarrett and drummer Conor Elmes to become The Inbetweens. While they heavily draw ...
Loren Stillman: Winter Fruits & Knu Gmoon
by George Kanzler
Loren StillmanWinter FruitsPirouet2009 Knu GmoonKnu Gmoonself-published2009 Everything old can be new again could be the motto of the ensembles on these two albums. And the emphasis is definitely on the ...
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