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Results for "Nina Simone"
Little Girl Blue
Featuring the music of Nina Simone
Duration: 6:20
Under a Strange, Soulful Spell
In 1960, one year after Nina Simone's first album, “Little Girl Blue," was released, the poet Langston Hughes struggled to put the appeal of Simones music and presence--that dusky voice, that unblinking gaze--into words. “She is strange," Hughes wrote in The Chicago Daily Defender. So are the plays of Brendan Behan, Jean Genet and Bertolt Brecht. ...
The Legendary First Recording In New York City, 1957
By Nina Simone
Label: RCA Records
Released: 2009
My Baby Just Cares For Me (Including The Original 'Little Girl Blue' Album)
By Nina Simone
Label: RCA Records
Released: 2009
The Late, Great Nina Simone Celebrated on New CD
Her name is synonymous with the passion, talent and raw emotion that she put into every note she sang and played--and now the “High Priestess of Soul", Nina Simone, is being celebrated on a new CD. Compiled by her former husband, Andy Stroud, the CD features never before heard tracks by Nina, duets with her friends, ...
Concha Buika en el Festival de Jazz de Barcelona (III)
by Roan Clay
Concha Buika (Palau de la Música, 5 de noviembre)Voll-Damm Festival Internacional de Jazz de BarcelonaDe las primeras notas de Oro santo-Mamita a las pausas dramáticas finales de la conocida Ojos verdes: “Ojos verdes, verdes comola albahaca.Verdes como el trigo verdey el verde, verde limón.
Concha Buika at the 2009 Barcelona Jazz Festival (III)
by Roan Clay
Concha BuikaBarcelona Jazz FestivalBarcelona, SpainNovember 5, 2009 From the opening notes of Oro santo-Mamita to the final dramatic pauses in the familiar Ojos verdes: “Ojos verdes, verdes comola albahaca.Verdes como el trigo verdey el verde, verde limón. Concha Buika gave a ...
Melody Gardot at the Kimmel Center
by Victor L. Schermer
Melody GardotThe Kimmel Center for the Performing ArtsPhiladelphia, PAOctober 17, 2009“A Star is Born" is the only adequate way to characterize singer-composer Melody Gardot's appearance on the stage of the Perelman Theater of the Kimmel Center in Philadelphia on October 17. While the recent buzz surrounding her debut recordings are all ...
Concha Buika: el canto necesario
by Joan A. Cararach
No es Ben Ratliff un crítico con tendencia a la grandilocuencia y al adjetivo gratuito, no. Pero el pasado 18 de octubre, su reseña en The New York Times del último disco de Concha Buika (Palma de Mallorca, 1972), El último trago (Warner, 2009), desmiente su estilo: tras comparar la voz de Buika con la de ...
