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199

Article: Album Review

Doug Munro: Big Boss Bossa Nova 2.0

Read "Big Boss Bossa Nova 2.0" reviewed by Ken Dryden

by Ken Dryden

Doug Munro's sixth CD for Chase Music Group is a return to a traditional bossa nova trio, dropping the keyboards or sax utilized on most of his earlier projects. He is joined by bassist Michael Goetz, with Jason Devlin and Jason Anderson sharing the drum chair, all who primarily play supporting roles. The ...

199

Article: Album Review

Paul Rutherford: Solo in Berlin 1975

Read "Solo in Berlin 1975" reviewed by Clifford Allen

by Clifford Allen

From the 27th to the 31st of March, 1975 the FMP label held its Workshop Freie Musik at the Berlin Academy of Art, and among usual suspects Alexander von Schlippenbach and the Globe Unity Orchestra, the festival held various aggregations for brass instrumentalists, in groups and as soloists. Among the trombone soloists, whose performances lasted approximately ...

63

News: Performance / Tour

Maria Neckam at 55 Bar

Maria Neckam at 55 Bar

WHO: Maria Neckam - voice and songs Aaron Goldberg - keys Zack Lober - bass Colin Stranahan - drums Lars Dietrich - alto sax Jake Saslow - tenor sax WHEN: Tuesday, August 12, 7PM WHERE: 55 Bar 55 Christopher Street New York City subway: ...

182

News: Performance / Tour

Dane Vannatter Brings New Show "Alone Together: A Tony Bennett Album" to Metropolitan Room

From Tin Pan Alley to Motown, Dane Vannatter will present a new cabaret and jazz show, “Alone Together: A Tony Bennett Album" on four consecutive Saturday evenings in September, beginning September 6th (9:30PM) at the New York hotspot Metropolitan Room (34 West 22nd Street ~between 5th & 6th Avenues). Directed by Lennie Watts, the evening will ...

308

Article: Album Review

Richie Cole: The Man With the Horn

Read "The Man With the Horn" reviewed by Ken Dryden

by Ken Dryden

Richie Cole mislaid the tapes to this 1981 session long ago, finally running across them in his basement while looking for something else a quarter-century later. His working band at the time included Philippine pianist Bobby Enriquez (whom the alto saxophonist gave the nickname “The Wildman" for his frenetic playing upon hearing him for the first ...

393

Article: Album Review

Darren Johnston / Fred Frith / Devin Hoff / Larry Ochs: Reasons for Moving

Read "Reasons for Moving" reviewed by Ivana Ng

by Ivana Ng

Reasons for Moving is what an improvised session should sound like: thoughtful, seamless, dynamic, comfortable. “Dawn & The Flat Irons" begins as a conversation between trumpet (Darren Johnston) and bass (Devin Hoff). When drummer Ches Smith comes in, the tune branches off, allowing Smith, Fred Frith (electric guitar) and Larry Ochs (tenor and ...

123

News: Performance / Tour

Will Sellenraad Quartet at 55 Bar

Will Sellenraad Quartet at 55 Bar

92

News: Recording

Carrie Rodriguez "She Ain't Me" in Stores August 5

Pigeonhole Carrie Rodriguez at your peril. Sure, she's done a lot of duets. She plays a fiddle (a mean one at that.) She's recorded songs with a pleasing, folksy twang. But don't think you know what you're getting. Not yet 30, and with a critically-acclaimed solo record and several well-received duet records in her wake, the ...

431

Article: Album Review

Roy Haynes: A Life in Time: The Roy Haynes Story

Read "A Life in Time: The Roy Haynes Story" reviewed by Jeff Stockton

by Jeff Stockton

This is the sort of expansive collection that in years past could have only been issued by the Smithsonian. This is not to say that this three-CD (plus one DVD) boxed set is a relic. It simply documents the legendary career of the drummer whose recorded output commenced in 1949 and continues to this day, a ...

317

Article: Album Review

David Berger Octet featuring Harry Allen and Joe Temperley: I Had The Craziest Dream: The Music of Harry Warren

Read "I Had The Craziest Dream: The Music of Harry Warren" reviewed by Michael Steinman

by Michael Steinman

David Berger's credentials are wide-ranging and impeccable: transcribing 500 Ellington recordings, leading the Lincoln Center Jazz Orchestra, teaching at the Manhattan School of Music and Juilliard. I Had the Craziest Dream is precise, hot and lively, honoring Harry Warren, a deserving 20th-century popular composer less well known than Berlin, Gershwin, or Porter. In addition to the ...


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