Home » Search Center » Results: New York City
Results for "New York City"
Ilgenfritz/Khoury/Michalowski/Weaver: Babardah
by Clifford Allen
Free improvisation is a tool, just as paint or the written word, in the process of making art. Art critic Clement Greenberg might roll over in his grave that I quote him on such generic art-making terms, but his oft-repeated line on the modernist process carries some weight here: Modernism... [is] the use of the characteristic ...
Tim Berne: Hardcell Live
by Ty Cumbie
Here are some jazz musicians who get it and get it all. That is meant in both senses: as in being hip to all the freshest angles in the current state of the music, and as in not messing around. Track one of Hardcell Live establishes this immediately. The complex, edgy theme is attacked with gusto ...
Ted Curson: We Shall Not Soon Forget
by AAJ Staff
By Ted Curson Too many jazz folks have left us this year. But in my career I have had the pleasure of at least a brush with many of them. Robin Kenyatta During the '60s, all musicians worth their salt were worried about their sound and their soloing ...
Conrad Herwig/Brian Lynch: Que Viva Coltrane
by Terrell Kent Holmes
The world will never pay enough homage to the music of John Coltrane. Having his music translated into the Latin idiom isn't a huge stretch, considering that many of his tunes had strong Afro-Cuban roots. Placing Trane en clave was a challenge that trombonist Conrad Herwig and trumpeter Brian Lynch happily accepted when they ...
Anders Nilsson's Aorta: Blood
by Ty Cumbie
Out of Sweden comes new jazz sounds from guitarist Anders Nilsson's group Aorta, a group that glances briefly back at the late '60s and '70s, then forges ahead, showing some possible directions for the music to go if it is to remain vital. Aorta probably won't be doing a week at the Vanguard any time soon, ...
Barry Guy/Marilyn Crispell/Paul Lytton: Ithaca
by A. Henkin
In 1968, three Europeans--pianist Irene Schweizer, bassist Peter Kowald and drummer Pierre Favre--privately released Santana , on the surface a traditional piano trio, but in fact a violent refutation of jazz' most dependable format. Laden with a brutality that may have made Cecil Taylor blanche, Santana was another example of European free improvisation cutting the cord ...
McCoy Tyner: Counterpoints
by AAJ Staff
McCoy Tyner has basically been making the same insanely luscious and gorgeously dense modal music for nearly 40 years now. Which means that Counterpoints , which consists of five unreleased live tracks from a 1978 Tokyo concert (others were issued in 1979 on the currently unavailable Passion Dance ), is unlikely to offer anything new to ...
Joe Magnarelli/John Swana: New York-Philly Junction
by Russ Musto
This encore date by the two-trumpet team of Joe Magnarelli and John Swana is (like their first meeting) more collaborative in nature than competitive, and the results are similarly satisfying. Beginning with the title track, a co-written composition from the pair, the twosome show that they would rather work together than try to cut one another. ...
Manhattan Ragtime Orchestra: Euphonic Sounds
by Mitchell Seidel
If you have a desire to really discover some of the main roots of jazz, the Manhattan Ragtime Orchestra is a good place to start. Clarinetist Orange Kellin's ensemble performs the music in authentic ragtime style, giving listeners an idea as to what it must have been like to hear it as it was originally intended. ...
The Sheryl Bailey 3: Bull's Eye
by Elliott Simon
The patchwork Oriental rug decor and comfortable living room ambiance at NYC's Fat Cat immediately put both musician and audience on intimate terms. Within that friendly context, guitarist Sheryl Bailey's Hammond B3 trio highlighted newly composed material from their latest CD, Bull's Eye. Bailey's intricately elegant chordal improvisations and blisteringly precise leads were willing and equal ...

