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188

Article: Album Review

Ilgenfritz/Khoury/Michalowski/Weaver: Babardah

Read "Babardah" reviewed by Clifford Allen

by Clifford Allen

Free improvisation is a tool, just as paint or the written word, in the process of making art. Art critic Clement Greenberg might roll over in his grave that I quote him on such generic art-making terms, but his oft-repeated line on the modernist process carries some weight here: “Modernism... [is] the use of the characteristic ...

249

Article: Album Review

Tim Berne: Hardcell Live

Read "Hardcell Live" reviewed by Ty Cumbie

by Ty Cumbie

Here are some jazz musicians who get it and get it all. That is meant in both senses: as in being hip to all the freshest angles in the current state of the music, and as in not messing around. Track one of Hardcell Live establishes this immediately. The complex, edgy theme is attacked with gusto ...

930

Article: Opinion

Ted Curson: We Shall Not Soon Forget

Read "Ted Curson: We Shall Not Soon Forget" reviewed by AAJ Staff

by AAJ Staff

By Ted Curson Too many jazz folks have left us this year. But in my career I have had the pleasure of at least a brush with many of them. Robin Kenyatta During the '60s, all musicians worth their salt were worried about their sound and their soloing ...

247

Article: Album Review

Conrad Herwig/Brian Lynch: Que Viva Coltrane

Read "Que Viva Coltrane" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

The world will never pay enough homage to the music of John Coltrane. Having his music translated into the Latin idiom isn't a huge stretch, considering that many of his tunes had strong Afro-Cuban roots. Placing Trane en clave was a challenge that trombonist Conrad Herwig and trumpeter Brian Lynch happily accepted when they ...

214

Article: Album Review

Anders Nilsson's Aorta: Blood

Read "Blood" reviewed by Ty Cumbie

by Ty Cumbie

Out of Sweden comes new jazz sounds from guitarist Anders Nilsson's group Aorta, a group that glances briefly back at the late '60s and '70s, then forges ahead, showing some possible directions for the music to go if it is to remain vital. Aorta probably won't be doing a week at the Vanguard any time soon, ...

124

Article: Album Review

Barry Guy/Marilyn Crispell/Paul Lytton: Ithaca

Read "Ithaca" reviewed by A. Henkin

by A. Henkin

In 1968, three Europeans--pianist Irene Schweizer, bassist Peter Kowald and drummer Pierre Favre--privately released Santana , on the surface a traditional piano trio, but in fact a violent refutation of jazz' most dependable format. Laden with a brutality that may have made Cecil Taylor blanche, Santana was another example of European free improvisation cutting the cord ...

470

Article: Album Review

McCoy Tyner: Counterpoints

Read "Counterpoints" reviewed by AAJ Staff

by AAJ Staff

McCoy Tyner has basically been making the same insanely luscious and gorgeously dense modal music for nearly 40 years now. Which means that Counterpoints , which consists of five unreleased live tracks from a 1978 Tokyo concert (others were issued in 1979 on the currently unavailable Passion Dance ), is unlikely to offer anything new to ...

173

Article: Album Review

Joe Magnarelli/John Swana: New York-Philly Junction

Read "New York-Philly Junction" reviewed by Russ Musto

by Russ Musto

This encore date by the two-trumpet team of Joe Magnarelli and John Swana is (like their first meeting) more collaborative in nature than competitive, and the results are similarly satisfying. Beginning with the title track, a co-written composition from the pair, the twosome show that they would rather work together than try to cut one another. ...

191

Article: Album Review

Manhattan Ragtime Orchestra: Euphonic Sounds

Read "Euphonic Sounds" reviewed by Mitchell Seidel

by Mitchell Seidel

If you have a desire to really discover some of the main roots of jazz, the Manhattan Ragtime Orchestra is a good place to start. Clarinetist Orange Kellin's ensemble performs the music in authentic ragtime style, giving listeners an idea as to what it must have been like to hear it as it was originally intended. ...

359

Article: Live Review

The Sheryl Bailey 3: Bull's Eye

Read "The Sheryl Bailey 3: Bull's Eye" reviewed by Elliott Simon

by Elliott Simon

The patchwork Oriental rug decor and comfortable living room ambiance at NYC's Fat Cat immediately put both musician and audience on intimate terms. Within that friendly context, guitarist Sheryl Bailey's Hammond B3 trio highlighted newly composed material from their latest CD, Bull's Eye. Bailey's intricately elegant chordal improvisations and blisteringly precise leads were willing and equal ...


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