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Results for "New York City"
James Carter: Live at Baker's Keyboard Lounge & Two Dreams
by Russ Musto
James Carter Live at Baker's Keyboard Lounge Warner Bros. 2004 James Carter is a passionate player whose solos are frequently pushed over the top by his awesome virtuosity. That tendency is put to good use on this live extravaganza recorded before a raucous crowd at Baker's Keyboard Lounge. Joined by ...
David Hazeltine and Jim Rotondi: Close to You & New Vistas
by Russ Musto
These two new releases by Criss Cross regulars David Hazeltine and Jim Rotondi present the pair in different contexts from their earlier releases on the label, permitting the two to showcase some additional aspects of their increasingly recognized mastery of the jazz tradition. David Hazeltine Close to You Criss Cross ...
Evan Parker: America 2003 & The Bishop's Move
by A. Henkin
In sports, when a starting player goes down with an injury, it sometimes gives a bench player an opportunity to contribute in special ways. When Brit bassist Barry Guy had personal issues that made his participation in last year's Evan Parker Trio tour impossible, German pianist Alex Von Schlippenbach stepped right in. While no one would ...
Kenny Werner: Naked in the Cosmos & Peace
by Ty Cumbie
Kenny Werner & The Brussels Jazz Orchestra Naked in the Cosmos Jazz n' Pulz 2003 If a single contemporary recording were recommended as cliff notes for an impatient student eager to get a feel for smooth jazz, atmospheric new age elevator music, the angular contortions of Sam Rivers' big band ...
Raphe Malik: Last Set & Sympathy
by Clifford Allen
What is sometimes sorely missed among the current crop of players in the jazz tradition" (and by tradition" I mean both straight-ahead and free music) is a sense of weight. This weight, or gravity, is both sonic and metaphysical and improvised music is at a loss without it. While he was a regular member of the ...
Frank Hewitt: We Loved You & Not Afraid to Live
by Celeste Sunderland
Oh the woebegone days of a jazz musician, as he makes his way toward mastery, accompanying many of the greats, struggling to keep abreast of the industry, make a name for himself, playing nightly at local clubs, garnering a base of fans, but most of them poor musicians themselves... Such was the way of life for ...
Gary Windo: Anglo American
by A. Henkin
Sometimes musicians are more famous for their associations. Gary Windo, a late Brit hornman from a period with no end of visionary English saxophonists, may be a strangely familiar name. Check your LP stacks: have anything by the Brotherhood of Breath (BOB)? Ray Russell or Robert Wyatt? Hugh Hopper or Carla Bley? Maybe even NRBQ? If ...
Luis Perdomo: Focus Point
by Russ Musto
Luis Perdomo's maiden voyage as a leader is as impressive a debut disc as any released by a young musician in recent memory. The pianist/composer presents ten original compositions (eight by himself) in a variety of settings (solo, duo, trio, quartet and quintet) that clearly demonstrate how woefully inadequate the term Latin jazz is in describing ...
Legend of the Pharoah
by AAJ Staff
By Jennifer Odell After a recent performance of Before the Blues , a new ballet by the Lines Ballet Company, someone from the audience asked choreographer Alonzo King where he got the idea to pair a Pharoah Sanders composition with music by the baroque composer Arcangelo Corelli. It was odd ...
Roy Haynes: Quiet Fire
by AAJ Staff
Quiet Fire repackages two oddball Roy Haynes Galaxy discs, Thank You, Thank You (1977) and Vistalite (1978), into one intermittently interesting extra-length CD of duets, trios, quartets, quintets, sextets and septets. Though the cast is strong (players include George Cables, Stanley Cowell, Ron Carter, Bobby Hutcherson, Cecil McBee and Joe Henderson), the music is ...

