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112

Article: Multiple Reviews

Matthew Shipp Times Two

by Jeff Stockton
December 14, 2004

Matthew Shipp Harmony and Abyss Thirsty Ear 2004 As the curator of Thirsty Ear's Blue Series, Matthew Shipp has rejected categorization, using his position to shape a musical future in his own vision, intermingling familiar players from the jazz avant-garde with turntablists, classical musicians and electronic soundscapers. The outcome has ...

368

Article: Multiple Reviews

Art Blakey and the Jazz Messengers Return

by Russ Musto
December 14, 2004

Together, these three titles documenting four dates, each featuring a different configuration of the Jazz Messengers, clearly demonstrate Art Blakey's ability to instigate his young charges' creativity while maintaining an identifiable group sound that remained open to change. Art Blakey and the Jazz Messengers Free for All Blue Note 2004 ...

212

Article: Multiple Reviews

Reuben Wilson: A Groovy Situation & Boogaloo to the Beastie Boys

by Andrew Rowan
December 13, 2004

You can safely bet that a Reuben Wilson record will be a jumping situation. These two sessions offer up grooves that reflect the popular rhythms of their eras. Reuben Wilson A Groovy Situation Blue Note-Water Music 2004 (1970) A Groovy Situation comes from 1970 and features alto saxophonist Earl Turbinton, ...

207

Article: Book Review

Footprints: The Life and Music of Wayne Shorter

by A. Henkin
December 13, 2004

Michelle Mercer Footprints: The Life and Music of Wayne Shorter Tarcher ISBN 158542353X 2004 In Footprints , author Michelle Mercer has accomplished a rare feat: a concise, absolutely compelling biography of a jazz legend that illuminates without overwhelming and recreates scenes and conversations convincingly.

139

Article: Multiple Reviews

Jim Black: Swell Henry & Habyor

by Sean Patrick Fitzell
December 12, 2004

From a musical history that stretches back to their Seattle youth and tenure together in many projects, saxophonist/clarinetist Chris Speed and drummer Jim Black have both emerged as bandleaders and composers and still draw on each other's talents. With their groups yeah NO and Alas No Axis, respectively, they have mined different musical territory to forge ...

179

Article: Multiple Reviews

Charlie Hunter: Friends Seen and Unseen & Latitude

by Sean Patrick Fitzell
December 12, 2004

Charlie Hunter Friends Seen and Unseen Ropeadope 2004 Still mining inspiration from his relocation to New York, 8-string guitar wizard Charlie Hunter returns to the trio format for his latest release Friends Seen and Unseen. With Hunter's unique style of playing bass lines and guitar melodies simultaneously, it often sounds ...

260

Article: Multiple Reviews

Club D'Elf: 100 Years of Flight & Live

by Celeste Sunderland
December 12, 2004

I'm pretty certain the geometric, polychromatic designs on the Club d'Elf album covers are meant to be stared at while listening. Because if your eyes linger long enough, the patterns propel into motion. Club d'Elf 100 Years of Flight (12/18/2003) Live (5/26/2004) Kufala Recordings 2004

187

Article: Multiple Reviews

Mat Maneri Times Two

by Ty Cumbie
December 12, 2004

Cecil Taylor Algonquin Bridge 2004 Cecil Taylor started out with a bracingly original sound that had a tenuous but easily discernible connection to recognizable forms and gradually over the decades moved into total abstraction. Taylor is perhaps at the peak of his technique and his music can be both as ...

178

Article: Multiple Reviews

Larry Willis: Sanctuary & The Powers of Two

by Russ Musto
December 11, 2004

Larry Willis Sanctuary Mapleshade Records 2003 Larry Willis, for too long a time unjustly under-recorded as a leader, happily has found a home as Mapleshade Records' music director for the past 12 years. The Maryland-based label has afforded the veteran New Yorker a multitude of opportunities to demonstrate his imposing ...

320

Article: Multiple Reviews

Ned Rothenberg: Parting & Harbinger

by Kurt Gottschalk
December 11, 2004

Ned Rothenberg's Double Band was a force of the early '90s, a powerful pairing of horns, percussionists and electric bass and guitar historically made all the more potent by being one of the strongest sideman jobs performed by the late saxophonist Thomas Chapin. The group's two records on the German Moers Music label ...