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Trio X: Joe McPhee, Dominic Duval, Jay Rosen: Moods: Playing with the Elements
by Ty Cumbie
I'll bet anyone $50 that the wonderful multi-instrumentalist Joe McPhee could play beautifully on an old length of PVC pipe. Any takers? You'd lose. I've seen him do it, and there were at least thirty other witnesses. Neither PVC nor any other sort of plumbing material is listed on this Trio X release, and silver-haired tunes ...
Deborah Weisz Quintet: Grace (for Will)
by Elliott Simon
From its reverent yet fun-loving title cut, Grace (for Will) is a delight. Trombonist Deborah Weisz has assembled a wonderfully eclectic, intermeshing group of musicians to interpret newly composed music motivated by significant events and people in her life. Along with her communicative t-bone, two of New York City's most expressive and versatile musicians, guitarist Sheryl ...
Freddy Cole: This Love of Mine
by Andrew Rowan
Freddy Cole has crafted a marvelous performance with This Love of Mine. He mingles old warhorses, giving them new clothes and offers newer songs, making them sound ageless. Here and there the voice sounds frayed but it only adds to his authority. The afterglow that the session radiates makes it a keeper. The ...
Earl Howard: 5 Saxophone Solos
by Ty Cumbie
Saxophonist Earl Howard's solo CD, released on Tom Buckner's wonderful Mutable Music, reveals a quirky command of the instrument and ideas that defy easy analysis. For five fearless intervals, Howard publicly probes a private realm of sound. The results are almost always far from unlovely. Throughout there's an undertone of antipathy--and, paradoxically, a ...
Von Freeman
by Terrell Kent Holmes
Chicago-based tenor man Von Freeman is jazz' answer to baseball Hall of Famer Frank Robinson: talented, respected by his peers, but still inexplicably underrated. Freeman's youthful buoyancy belies his 83 years, a threshold he crossed last month. When offered belated birthday wishes, Freeman playfully requested “Listen, let's make it 39, revealing a subscription to the Jack ...
Geoff Keezer: Wildcrafted; Peter Martin: In the P.M.
by Joel Roberts
Geoff Keezer Wildcrafted: Live at the Dakota MaxJazz 2005 Though still in their 30s, pianists Geoff Keezer and Peter Martin are seasoned veterans who have proven their mettle with some of the biggest names in jazz. Keezer is probably the better known of the two, with numerous albums as a ...
Jonathan Kreisberg: Nine Stories Wide and Unearth
by Terrell Kent Holmes
Jonathan Kreisberg is an exciting young guitarist whose two latest releases will go a long way toward affirming his prominent place in the jazz landscape. Jonathan Kreisberg Nine Stories Wide Criss Cross 2005 Nine Stories Wide is a multi-layered program of old and new classics blended with originals. “Summertime" opens ...
Michael Blake: Right Before Your Very Ears
by Sean Patrick Fitzell
The shrill opening blast of tenor saxophone, like a wailing-woman mourner, announces that Right Before Your Very Ears is a departure for saxophonist Michael Blake. Visceral and immediate, the emphasis is on the playing, especially Blake's, in the stripped-down sax plus rhythm setting. This is the first document of Blake's working trio with bassist Ben Allison ...
Mary Stallings: Remember Love
by Andrew Rowan
Starting with Concord Jazz in the '90s and continuing with MaxJazz and now Half Note Records, Mary Stallings's talents have finally been revealed. On Remember Love, she is abetted by a stellar band, including pianist Geri Allen (who also provides arrangements and serves as producer), drummer Billy Hart, Frank Wess on tenor and ...
Jeremy Pelt: Identity
by Tom Greenland
Jeremy Pelt is a man in search of himself and a sonic identity that will enshrine him in the pantheon of trumpet greats. For the young lions and lionesses of jazz, this is a daunting task, given the hordes of spirits-of-jam-sessions-past that haunt the hallowed halls of jazzdom. Certainly Pelt is a contender: his tone and ...
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