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258

Article: Book Review

Soft Machine: Out-Bloody-Rageous

Read "Soft Machine: Out-Bloody-Rageous" reviewed by Francis Lo Kee

by Francis Lo Kee

Soft Machine: Out-Bloody-Rageous Graham Bennett Hardback; 448 pages ISBN: 0946719845S.A.F. Publishing 2005 First of all, we at AllAboutJazz-New York note the recent passing of Elton Dean (1945-2006) with deep sadness. Mr. Dean was an integral part of the “classic" Soft Machine lineup.

205

Article: Multiple Reviews

Piano Trios: At Shelly's Manne-Hole & Timeless

Read "Piano Trios: At Shelly's Manne-Hole & Timeless" reviewed by Andrew Velez

by Andrew Velez

Bill Evans Trio At Shelly's Manne-Hole Riverside/Concord 2006 He's been gone since 1980, over a quarter century. Yet Bill Evans' influence continues to grow. This 1963 session, with Chuck Israels (bass) and Larry Bunker (drums) at Shelly Manne's famed Hollywood club, is like the superb Complete Village Vanguard ...

214

Article: Multiple Reviews

Enrico Pieranunzi: Special Encounter / Play Morricone

Read "Enrico Pieranunzi: Special Encounter / Play Morricone" reviewed by Ken Dryden

by Ken Dryden

It's not surprising that Enrico Pieranunzi is one of the busiest jazz pianists in Europe. On two new albums, he's joined by two separate and very different American rhythm sections. Enrico Pieranunzi Special Encounter CamJazz 2005 Most of Special Encounter is ballad-oriented, beginning with a pair of decades-old ...

309

Article: Multiple Reviews

Bill Stewart: Keynote Speakers; Larry Goldings: Quartet

Read "Bill Stewart: Keynote Speakers; Larry Goldings: Quartet" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Bill Stewart Trio Keynote Speakers Bill Stewart Music 2006 The trio of instruments on Keynote Speakers is quite unconventional, with keyboardists Larry Goldings and Kevin Hays bookending Bill Stewart's drums. On the opening tune, “Good Goat, Goldings sprints on the Hammond and Hays grooves on the electric piano ...

263

Article: Multiple Reviews

The Move / Gross Motor Music

Read "The Move / Gross Motor Music" reviewed by Marc Medwin

by Marc Medwin

Superficially, these two trombone dates couldn't be more different, but both exhibit a startling and refreshing attention to microdetail and prodigious technique from all involved. Both also attest to the perpetually tasty fruits born of long-term collaboration. Nils Wogram/Simon Nabatov The Move Between the Lines 2005 Trombonist Nils ...

209

Article: Album Review

Evan Parker / September Winds: Short Stories

Read "Short Stories" reviewed by Kurt Gottschalk

by Kurt Gottschalk

For British saxophonist Evan Parker, as well as for the horn quintet September Winds, Short Stories is an unexpected record. Parker has excelled in long-form explorations for decades and with September Winds he has focused on site-specific journeys. The band plays in museums, industrial buildings, exposition halls and even a thermal bath in Switzerland. Their first ...

115

Article: Multiple Reviews

Kresten Osgood: Violet Violets & When I Have You

Read "Kresten Osgood: Violet Violets & When I Have You" reviewed by Jeff Stockton

by Jeff Stockton

Sam Rivers / Ben Street / Kresten Osgood Violet Violets Stunt Records Stunt 2005 As he enters his 80s, Sam Rivers has accomplished the remarkable feat of remaining creatively viable over the course of a 45-plus year career. A free jazz improviser before free jazz improvisation ...

128

Article: Album Review

Poncho Sanchez: Do It!

Read "Do It!" reviewed by Joel Roberts

by Joel Roberts

Poncho Sanchez is the Energizer Bunny, or maybe the Cal Ripken Jr., of Latin jazz. Since 1982, the veteran conga player and bandleader has turned out consistently excellent, high-octane albums on an annual basis for Concord Picante, some two dozen so far. His latest, Do It!, doesn't mess with the formula that's made ...

579

Article: From Far and Wide

Cobi Narita's 80th Birthday

Read "Cobi Narita's 80th Birthday" reviewed by Celeste Sunderland

by Celeste Sunderland

One afternoon in 1978 throngs of spectators clogged the sidewalks at the corner of Broadway and 52nd Street, while musicians and caterers set up in front of the club Casablanca, for the third day of the third annual Women In Jazz festival. A greedy club owner, wowed by the crowds, unexpectedly raised his fee and chained ...

303

Article: Opinion

Jazz and Milk

Read "Jazz and Milk" reviewed by Roni Ben-Hur

by Roni Ben-Hur

Choosing a career as a jazz musician, from an economic stand point, is the same as making a high risk investment. The returns could practically be a dream come true or a disastrous state of affairs. For most of us, it is some of both. To make sure we don't end up with unpaid ...


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