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Paul Bley: Turning Points
by A. Henkin
In the pantheon of jazz, certain players are spoken of as upholding or continuing a particular lineage while others are given their own chapter in the book--their body of work something for others to uphold and continue. Paul Bley is one of the latter, a pianist who for over 50 years has participated in every stylistic ...
ZOHO Music
by Elliott Simon
Placing an emphasis on contemporary NYC jazz with a Latin flavor, ZOHO Music in two short years has been able to carve out a special niche defined by infectious rhythms, tight music and a cosmopolitan flair. Debut releases from two of NYC's top working bassists - the brilliant tango nuevo of Pablo Aslan's exquisite Avantango and ...
May 2006
by AAJ Staff
Fresh from the Skirl records launch, guitarist Hilmar Jensson brought Tyft to Brooklyn's Tea Lounge for two spirited sets (Apr. 12th). The intertwined history of the trio - including saxophonist Andrew D'Angelo and drummer Jim Black - has instilled the familiarity and confidence essential for the music's success. Characterized by intricately crafted unisons (often in odd ...
Memories of Mary Lou
by Peter O'Brien
I met Mary Lou Williams in the pages of Time Magazine. It was early 1964. She was 53 years old and I was 23. The article, under MUSIC, was in two parts--each about a different woman. The first concerned itself with Sarah Caldwell. Ms. Caldwell directed and produced operas and was the inventor of The Boston ...
Michel Camilo on a Blue Note Tour
by Nick Catalano
Well over 16 years ago I reviewed a young pianist from the Dominican Republic unknown to New York audiences. He was in an all-star concert at Town Hall and from the downbeat of the first selection I knew I was in for something special. By playing clever rhythm figures in unison with his bassist and drummer ...
Solo Piano: From My Field; Solotude
by Donald Elfman
Both these solo piano discs have the feel of recital" recordings by virtuosos, though the virtuosity is not about a lot of notes or about a fancy look at me technique, but about telling stories at the keyboard. Adam Makowicz From My Field Self Published 2005 Adam Makowicz ...
Encore: Michael Gregory (Jackson)
by Clifford Allen
In the world of creative improvisation, there is an adage that being true to one's art and one's instrument doesn't necessarily beget monetary or commercial success, but rather a place in the history books and the esteem of one's peers, a decidedly sure place in the nebula of the sonic air current. But what of those ...
Charlie Kohlhase: The Cranky Yankee
by Celeste Sunderland
State, New Hampshire. Party affiliation, communist. Obsession, Woody Herman's 1963 Herd. No, it's not Boston-based saxophonist Charlie Kohlhase. It's the Cranky Yankee, a character he's been known to slip into while on the road. He would go on and on about this 1963 Herd and the brilliance of Jake Hanna at the drums, said Either/Orchestra founder ...
Stan Tracey: True-Grit Brit
by AAJ Staff
By Jack Massarik In London he's known as the patriarch of jazz piano, the godfather of British modern jazz and similar epithets that you earn only by being a significant player for a very long period of time. Stan Tracey first hit New York in 1951, when he took a dance-band gig on ...
Enrico Rava: Easy Living; Tati; La Dolce Vita; Full of Life
by Donald Elfman
In a career that has spanned over 40 years, Enrico Rava has expressed himself purely, finally emerging as one of the most original voices in contemporary music. He's always had beautiful things to say, but now, in the way he works with other musicians, those statements become poetry of the most exquisite colors. Enrico Rava

