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12

Article: Album Review

Ivo Perelman: Brass And Ivory Tales

Read "Brass And Ivory Tales" reviewed by Mark Corroto


Archeologists and cultural anthropologists theorize early humans had some form of music appreciation. They listened to the sounds wind made as it passed through trees. The breeze sounded different passing through oak than it did fir trees, and the sound was altered whether it was spring or fall. Then there were the bird songs, the first ...

3

Article: Album Review

Matthias Müller / Eve Risser / Christian Marien: Formation < Deviation

Read "Formation < Deviation" reviewed by John Sharpe


Two German improvisers, trombonist Matthias Mueller and drummer Christian Marien, join forces with French pianist Eve Risser for a brace of intriguing collectives under the moniker Cranes. Müller and Marien have performed together since 2006 as Superimpose, often appearing with guests, including saxophonist John Butcher, trumpeter Nate Wooley and vocalist Sofia Jernberg on their 2021 release ...

5

Article: Album Review

Nate Wooley: Mutual Aid Music

Read "Mutual Aid Music" reviewed by John Sharpe


With Mutual Aid Music, trumpeter Nate Wooley expands the ideas that underlay his Battle Piece series, (heard on three albums on Relative Pitch Records from 2015, 2017 and 2019) to produce a double CD which absorbs and enthralls. To the original cast of accomplished improvisers, comprising saxophonist Ingrid Laubrock, vibraphonist Matt Moran and pianist Sylvie Courvoisier, ...

16

Article: Album Review

Matthew Shipp / Whit Dickey: Reels

Read "Reels" reviewed by Karl Ackermann


Matthew Shipp has managed his way through the 2020-2021 pandemic nicely, thanks in part to a substantial cache of excellent material. Free-jazz drummer Whit Dickey has been working with Shipp for decades, beginning with David S. Ware's quartet. Since 2012 Shipp and Dickey have worked frequently with Brazilian saxophonist Ivo Perelman. Dickey has been part of ...

33

Article: Building a Jazz Library

Unconventional Instruments

Read "Unconventional Instruments" reviewed by Karl Ackermann


ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...

13

Article: Album Review

Liudas Mockūnas / Arvydas Kazlauskas: Purvs

Read "Purvs" reviewed by Mark Corroto


If you need evidence that the very first musicians, our evolutionary ancestors, made sounds to imitate nature, Purvs may be the proof. The Latvian and Lithuanian saxophonists Arvydas Kazlauskas and Liudas Mockūnas made two recordings, one in an open air Latvian bog marsh which makes up the first LP of this release and the second LP ...

10

Article: Album Review

Rodrigo Amado This Is Our Language Quartet: Let The Free Be Men

Read "Let The Free Be Men" reviewed by Mark Corroto


If you are not hip to Portuguese saxophonist Rodrigo Amado, where, as they say, have you been? He has garnered acclaim for many years now, with his own Motion Trio, Lisbon Improvised Players, The Wire Quartet, Luís Lopes' Humanization 4tet, and in duos with Chris Corsano and trios with Kent Kessler and Paal Nilssen-Love. If, though, ...

2

Article: Radio & Podcasts

New albums from Taubenhouse, Carney, Lewis, and Booth and more!

Read "New albums from Taubenhouse, Carney, Lewis, and Booth and more!" reviewed by Bob Osborne


All recent releases this time around with the third volume in the Moments In Trio series from Yaniv Taubenhouse leading the way. There is also free improvisation mixed with modal jazz from Zane Carney, as well as the stunning new album from James Brandon Lewis. Original music and a unique ensemble sound that pushes at the ...

5

Article: Multiple Reviews

The Pandemic Sessions: Solos, Part 2

Read "The Pandemic Sessions: Solos, Part 2" reviewed by Mark Corroto


Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis, and of course, that included musicians. Unable to tour and record with their various ensembles, many artists prepared solo projects (some recorded before the virus struck). Most of the music is very personal, as if the artists are asking ...

29

Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...


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