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Winter Jazzfest, New York City, Day 2: January 8, 2011
by Gordon Marshall
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Vernon Reid's Artificial Afrika Slick and heavy electric forays characterize the work of veteran guitarist Vernon Reid. However far into space he goes, his instrument is always under control; usually, his music is ...
J Hunter's Best Releases of 2010
by J Hunter
Counting down the best releases of 2010: Allison Miller Boom Tic Boom Foxhaven 2010 Anyone with job references as diverse as organ icon Dr. Lonnie Smith and indie singer/songwriter Ani DiFranco must have something interesting to say, and drummer Allison Miller proves that out. Boom Tic Boom is ...
Ten
By Jason Moran
Label: Blue Note Records
Released: 2010
Track listing: Blue Blocks; RKF in the Land of Apartheid; Feedback Pt. 2; Crepuscule with Nellie; Study No. 6; Pas de Deux—Lines Ballet; Study No. 6; Gangsterism Over 10 Years; Big Stuff; Play to Live; The Subtle One; To Bob Batel of Paris; Old Babies.
Bruce Lindsay's Best Releases of 2010
by Bruce Lindsay
Like most people, I love a good list. But the act of compilation isn't easy. I have no idea of the criteria by which a collection of tunes on a CD can be judged to be The Best. Even if I had, the simple fact that I haven't heard every new jazz CD released in 2010 ...
John Berndt: Boston, USA, December 1, 2010
by Gordon Marshall
John Berndt, Joshua Jefferson, Forbes Graham and Flandrew FleisenbergFleisenberg Floft, Fort Point ChannelBoston, MADecember 1, 2010 Alto saxophonist John Berndt of Baltimore, Maryland is a master geometer, and he applies this sensibility to sound. There is a solipsistic quality to his efforts--at work even when he is playing with others--which ...
Tarbaby: The End Of Fear
by Dan Bilawsky
Virtually every musician deals with fear at one time or another. Perhaps it comes with a first opportunity to perform in an ensemble, or maybe it arrives when first taking flight and leaving the relative comforts of written music, searching for an elusive sound through an improvised medium. Regardless of when it happens, performers have to ...
Tarbaby: The End Of Fear
by Bruce Lindsay
A band name that some might see as confrontational--although the band denies this--an album title that could be wildly optimistic, a statement of faith or simply ironic; some of the fieriest jazz players on the scene and a scary Hieronymus Bosch-style cover design. What kind of music might emanate from such a combination? Free form, loud, ...
New Voices: Sarah Manning, John Escreet, Kneebody
by J Hunter
Jazz is like the human body. It needs fresh air, constant activity and a steady stream of nutrients to stay hale and hearty. Conversely, if all the genre does is sit in a comfy chair and try to live on what came before, it becomes sedentary, incurious and--ultimately--self destructive. Fortunately, the young keep jazz active and ...
Newport Jazz Festival: Sunday, August 8, 2010
by Timothy J. O'Keefe
Part 1 | Part 2 CareFusion Newport Jazz FestivalFort Adams State ParkNewport, RIAugust 8, 2010 Temperatures rose high, as jazz fans gathered in Newport for the fifteen performances, spread over three stages, that provided eight hours of listening pleasure. The Ben Allison Band started things up at ...
Ralph Alessi: Cognitive Dissonance
by John Kelman
For his Cam Jazz debut, trumpeter Ralph Alessi recruits two key players from his sadly overlooked Look (Between the Lines, 2007). But while ubiquitous bassist Drew Gress (Marc Copland, Claudia Quintet) is a mainstay of Cognitive Dissonance, pianist Andy Milne only guests on the knottily themed but swinging “Sir" and a quirkily, near-unrecognizable version of Stevie ...
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