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Results for "Nasheet Waits"
Oran Etkin: Gathering Light
by Dan Bilawsky
Multi-reedist Oran Etkin's first album--Kelenia (Motema Music, 2009)--fused Malian sounds and Jewish music with jazz. Its follow-up--Wake Up, Clarinet! (1-2-3-4 Go, 2010)--was geared toward kids. Now, for round three, Etkin has cast his net over a huge portion of the globe, pulling together, arranging, and morphing musical ideals he's encountered while touring through Asia, Israel, and ...
Peter Brötzmann / Peeter Uuskyla: Dead And Useless
by Mark Corroto
Nothing new, just better. Let me rephrase that, Dead And Useless is not a new recording by saxophonist Peter Brötzmann and drummer Peeter Uuskyla, it was taken from the 2006 Born Broke (Atavistic, 2008) session and was the second disc of a 2-CD set. It is, though, remastered here as a loving vinyl release (somewhere Mats ...
David Weiss: In Celebration of Endangered Species
by Fiona Ord-Shrimpton
David Weiss and his mini big band of jazz chameleons are a ready example of how to concentrate at OCD levels to perfect musical things of beauty that stand the test of time, repeatedly. Many have focused a hell of a lot more than 10,000 hours to cultivate this sound, and some have overcome myriad adversities ...
Peter Brotzmann/Paal Nilssen-Love: A Fish Stinks From The Head
by Mark Corroto
In his seventy-second year, Peter Brötzmann shows no signs of decline. The fire-breathing saxophonist and hero to all free jazz musicians embarked on yet another tour, releasing this limited edition recording (only 400 copies) with a silk screened cover A Fish Stinks From The Head with drummer Paal Nilssen-Love who is 33-years his junior.
David Murray Infinity Quartet: Be My Monster Love
by Phil Barnes
If jazz is ever to escape from the “specialist" ghetto in which it finds itself in 2013 the simple truth is that we need more people with the vision of David Murray and more records as good as this one. Murray has a long and distinguished jazz career on tenor sax that began in ...
SubCulture, Grand Opening: Gregg Kallor, Gregory Porter, David Murray Infinity Quartet ft. Macy Gray
by Scott Krane
The art of recording has changed music, more so in the information age. Nevertheless, it seems consensus in New York: jazz sounds better live. SubCulture is a new performance space in the district of Manhattan that is called 'NoHo.' The building is located at 45 Bleecker Street right in front of a stop for the B, ...
Detroit Jazz Festival 2013
by C. Andrew Hovan
2013 Detroit Jazz FestivalDetroit, MichiganAugust 30-September 2, 2013Summing up the modus operandi that seemed to characterize so much of the performances at this year's Detroit Jazz Festival, one might sagaciously go with the phrase 'wild abandon.' Now in its 34th year of existence, the festival still boasts the title of “largest free jazz ...
Ralph Alessi: Baida
by John Kelman
With 2013 heading into fall, it's a good time to take stock of a label that has all too often been (falsely) accused of minimizing the country where jazz began. Excluding reissues, this year's ECM regular series releases represent about thirty percent American leadership; given jazz's increasingly global nature, hardly a bad number--and better still, when ...
Peter Brotzmann / Steve Noble: I Am Here Where Are You
by Mark Corroto
The greatest artists in history have never been able to capture the immensity of the American sequoia trees. Like the Grand Canyon, their gargantuan size cannot successfully be reduced to canvas by painters like Albert Bierstadt or Thomas Hill, nor captured on gelatin silver prints by photographers like Ansel Adams. Seeing is, indeed, believing. Just like ...
Molde International Jazz Festival 2013
by John Kelman
Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...
