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Bill Cosby: If You Could Hear It, You'd Smile
by Victor L. Schermer
Bill Cosby is a gentle giant, and not just physically. He is a powerhouse of energy and achievement. He's best known as a standup comedian non pareil. Moreover, his TV shows, such as The Cosby Show, have topped the ratings for many years, and he uses them as a way to promote racial reconciliation and disseminate ...
Remembering Hank Jones
Hank Jones Biography Henry “Hank" Jones (born July 31, 1918; died May 16, 2010) was an American jazz pianist, bandleader, and composer. Critics and musicians have described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored Hank Jones with its highest honor in jazz, the NEA Jazz Masters Award. He ...
Take Five With Antoinette Montague
by AAJ Staff
Meet Antoinette Montague:Antoinette Montague likes to say she simply sings “people music." Make no mistake about it, she is a jazz singer through and through, but one who pushes the genre's boundaries. On her new recording, Behind the Smile, Montague sings classic jazz standards (new and old), resurrects lovely-but-obscure melodies, blends in blues and ...
Jazz Gigs Around New York
NANCY WILSON (Sunday and Monday) Her two sets at the Blue Note represent an increasingly rare nightclub stand. Sunday at 8 p.m. 237 West 42nd Street, Manhattan (212) 997-4144, bbkingblues.com Monday at 8 (sold out) and 10:30 p.m. 131 West Third Street, ...
Chuck Anderson: Guitar Reemergence
by Victor L. Schermer
Chuck Anderson's guitar artistry is a cut above the jazz standard. The quality of his execution is so fine that on first hearing, it is literally stunning. His recent CD, Freefall (Dreambox Media, 2010) consists of musical gems--all-original compositions, woven into a tapestry worthy of a master classical guitarist. Yet it is all straight-ahead mainstream jazz ...
Interview: Nancy Wilson (Part 5)
In 1966, a shift began in Nancy Wilson's choices for Capitol. Like many pop-jazz artists who were striving to stay current in a market overrun by young radio-listening record-buyers, Nancy began to include rock and soul hits of the day. But unlike most pop artists who awkwardly tried to seem with it, Nancy was naturally comfortable ...
Interview: Nancy Wilson (Part 4)
As Nancy Wilson's visibility and popularity grew in the early 1960s, so did her workload. In the days before scandals were built into marketing plans and stadium concerts provided artists with instant mass exposure, pop singers had to work tirelessly in hotel supper clubs and recording studios. They also hoped their singles would win AM-radio airplay ...
Interview: Nancy Wilson (Part 3)
No other jazz-pop singer is as fluent in post-War American music as Nancy Wilson. She has always understood that a Tin Pan Alley standard requires a different approach and attitude than a jazz standard and that Broadway showstoppers have a different sound than a pop, rock or soul hit. Remarkably, Nancy approaches each genre with a ...
Interview: Nancy Wilson (Part 2)
Nancy Wilson's eyes and eyebrows are a big part of her act. From a young age, Nancy intuitively knew how to use them to dramatic effect, allowing her to put more meaning behind a song's lyrics than the original lyricist probably intended. In a single song, Nancy's eyes convey confidence, innocence, vulnerability and passion. But just ...
Interview: Nancy Wilson (Part 1)
Nancy Wilson is the last great female song stylist of the 1950s and the first American female pop-soul singer of the 1960s. Though she began by performing locally in her hometown in the 1950s, her Capitol career started at the tail end of 1959, just as one era was ending and another was beginning. Throughout the ...
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