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Ricardo Pinheiro with Theo Bleckmann and Mônica Salmaso: Caruma
by Karl Ackermann
Ricardo Pinheiro is a Portuguese guitarist, composer and educator. He has a dozen previous recordings to his credit and leader or co-leader status on the majority of those projects. His music has covered ambient, electronic, bop, jazz standards, and jazz/poetry hybrids. Pinheiro, a Berklee alumnus, has recorded and played with Dave Liebman, Peter Erskine, Chris Cheek, ...
Vernal Equinox
By Jon Hassell
Label: Ndeya
Released: 2020
Track listing: Toucan Ocean; Viva Shona; Hex; Blues Nile; Vernal Equinox; Caracas Night September 11, 1975.
Enjoy Jazz 2020
by Martin Longley
Enjoy Jazz Mannheim/Heidelberg, Germany October 17-21, 2020 Enjoy Jazz spreads over many more weeks than most festivals. This German tri-city marathon usually presents at least one gig each evening, in either Heidelberg, Mannheim or Ludwigshafen, starting in early October, and continuing until mid-November. In 2020, the datesheet flowed smoothly for ...
Gabe Terracciano: A Constant State Of Arriving
by Ian Patterson
It may seem strange that a jazz violinist should admit to hating jazz violin, but Gabe Terracciano is not your run-of-the-mill jazz violinist. For starters, what other jazz violinist plays Ornette Coleman tunes in a bluegrass band? Nor are there too many jazz violinists who have taken first prize at an old-time fiddle competition, toured Ghana ...
4th Zbigniew Seifert International Jazz Violin Competition
by Ian Patterson
4th Zbigniew Seifert International Jazz Violin Competition Cricoteka Museum, Kraków, Poland/Various international locations on-line July 8-10, 2020 When the fanfare and drum roll had died down the big moment arrived. After three days of on-line competition, the six finalists waited anxiously in front of their screens, in Israel, The USA, Austria, ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Sir Stevie: Jammin' on Stevie Wonder - Part 1
by Ludovico Granvassu
Stevie Wonder has more entries in the Real Book than any other pop musician, The Beatles included. It is not surprising therefore that his Songbook has been mined by hundreds of jazz musicians, including the likes of Sonny Rollins, Dizzy Gillespie, Ella Fitzgerald, Dexter Gordon or Herbie Hancock. To mark the 70th birthday of ...
Jon Hassell: Words with the Shaman
by Chris May
Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...
Jon Hassell: Vernal Equinox
by Mark Sullivan
Visionary trumpeter-composer Jon Hassell is one of the architects of what has come to be called World Music: his own preferred term is Fourth World, which he described as “a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." Vernal Equinox was his first commercial album release, originally on Lovely Music in ...
Results for pages tagged "Nana Vasconcelos"...
Nana Vasconcelos
Born:
Premier percussionist Nana Vasconcelos was an innovator in the fusion of Brazilian rhythms and jazz in the 1970’s. Born in Recife on the Northeast Coast of Brazil and, after a lifetime of playing throughout the world, his roots are apparent in everything he plays. When Nana was 12-years-old he began playing with his father, a guitarist, and in the city's marching band. Prodded by intense curiosity and an inquisitive ear that led him from the music of Brazil's greatest composer, Villa Lobos, to Jimi Hendrix, Nana came to learn all the Brazialian percussion instruments and, by the early Sixties, came to specialize in the berimbau
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