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26

Article: My Blue Note Obsession

Introducing the Three Sounds – Blue Note 1600

Read "Introducing the Three Sounds – Blue Note 1600" reviewed by Marc Davis


This is the moment I've been looking forward to, and dreading. The Three Sounds. A piano trio I've heard of, but never heard. And what I'd heard about them wasn't entirely nice. I was sure I would hate them, but still I was very curious. The Three Sounds. Here's a band that was intensely ...

27

Article: My Blue Note Obsession

Introducing Johnny Griffin – Blue Note 1533

Read "Introducing Johnny Griffin – Blue Note 1533" reviewed by Marc Davis


In jazz and rock--heck, even in classical music--there is a sacred throne for those who play fast. Dizzy Gillespie and Oscar Peterson occupy such thrones. So do Jimmy Page and Eddie Van Halen. Fast is fun. Johnny Griffin played fast--very fast. The evidence is here in Griffin's very first album, Introducing Johnny ...

29

Article: My Blue Note Obsession

Horace Silver: Six Pieces of Silver – Blue Note 1539

Read "Horace Silver: Six Pieces of Silver – Blue Note 1539" reviewed by Marc Davis


Yep, this is the “Senor Blues" album. That's not the name, obviously, but it could be. This outstanding hard bop CD, recorded by Horace Silver's quintet in 1956, has 10 tracks, and three of them are “Senor Blues." No wonder. It's arguably the best track in the collection--a Spanish-tinged slow blues toe-tapper. Even so, ...

33

Article: My Blue Note Obsession

Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524

Read "Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524" reviewed by Marc Davis


I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but ...

27

Article: My Blue Note Obsession

Herbie Nichols Trio – Blue Note 1519

Read "Herbie Nichols Trio – Blue Note 1519" reviewed by Marc Davis


OK, now I'm cheating. At least it feels that way. The next CD on my quixotic Blue Note odyssey is Herbie Nichols Trio, a 1955-56 trio record by the criminally under-appreciated pianist. Great--I'm looking forward to it! I know almost nothing about Herbie Nichols, except that he was an overlooked talent who was often ...

27

Article: My Blue Note Obsession

Jutta Hipp at the Hickory House, Vol. 2 – Blue Note 1516

Read "Jutta Hipp at the Hickory House, Vol. 2 – Blue Note 1516" reviewed by Marc Davis


Raise your hand if you've never heard of Jutta Hipp. Yeah, me either. And yet, there she is, brooding and shadowy on the cover of her first Blue Note album. Yes, she--a female rarity in the almost-all-male world of 1950s Blue Note. And not American, either. Like Becks and Volkswagen, Jutta Hipp is a ...

28

Article: My Blue Note Obsession

Horace Silver and the Jazz Messengers – Blue Note 1517

Read "Horace Silver and the Jazz Messengers – Blue Note 1517" reviewed by Marc Davis


And now we reach the point in our program entitled, “What's The Point?" As in: You already know this album, you may already own this album, and yet here we are, discussing an album that's 59 years old and so widely synonymous with hard bop and Blue Note Records that it was featured on ...

28

Article: My Blue Note Obsession

Gil Melle – Patterns in Jazz – Blue Note 1517

Read "Gil Melle – Patterns in Jazz – Blue Note 1517" reviewed by Marc Davis


Sometimes, Blue Note surprises you. Often, the Blue Note catalogue is predictable, especially in the '50s and '60s. Some say it is too predictable. But if you dive deep, there are hidden gems slightly off the beaten hard-bop path. Case in point: Gil Melle's Patterns in Jazz. West Coast jazz ...

33

Article: My Blue Note Obsession

Jimmy Smith: A New Sound, A New Star, Vol. 1 and 2 – Blue Note 1512 and 1514

Read "Jimmy Smith: A New Sound, A New Star, Vol. 1 and 2 – Blue Note 1512 and 1514" reviewed by Marc Davis


Listening to Jimmy Smith's early recordings is like listening to Chuck Berry play “Johnny B. Goode." Today, every rock guitarist from junior high school on knows the riff and can play it by heart. But Chuck Berry did it first, and arguably best. There were no great rock guitar licks before Chuck Berry. He created the ...

31

Article: My Blue Note Obsession

Milt Jackson and the Thelonious Monk Quintet

Read "Milt Jackson and the Thelonious Monk Quintet" reviewed by Marc Davis


And now, a crossroads: At what price do I pass? It's the dilemma all collectors face eventually. At first, you buy the commons. A used CD at $4 is a no-brainer. A new CD at $10 or $12, easy to justify. But what do you do when the easies are gone and the price ...


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