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ARTICLE: ALBUM REVIEW

Tony Allen & Hugh Masekela: Rejoice

Read "Rejoice" reviewed by Chris May

"Unfinished" is the kindest word to describe this album, recorded in 2010 and left on the shelf until its release was prompted after Hugh Masekela passed in 2018. It should have stayed on the shelf. The album consists of eight tracks of noodling by Masekela, accompanied by autopilot timekeeping from Tony Allen, who ...

New Jazz From London: Top 20 Paradigm Shifting Albums

Read "New Jazz From London: Top 20 Paradigm Shifting Albums" reviewed by Chris May

After a lifetime trying to get on an equal footing with its American parent, British jazz has finally come of age. Since around 2015, a community of young, London-based musicians has forged a style which, while anchored in the American tradition, reflects the Caribbean and African cultural heritages of many of its vanguard players. The scene ...

ARTICLE: ALBUM REVIEW

Kokoroko: Kokoroko

Read "Kokoroko" reviewed by Chris May

If you ask an Afrobeat fan to name their favourite bands--excluding lineups led by Fela Kuti during his lifetime--the probability is that their top five choices will include Seun Kuti's Egypt 80 and Femi Kuti's Positive Force, both based in Lagos, along with Dele Sosimi's Afrobeat Orchestra, based in London. Other credible outfits have emerged, but ...

ARTICLE: ALBUM REVIEW

Sarah Tandy: Infection In The Sentence

Read "Infection In The Sentence" reviewed by Chris May

Sarah Tandy made a mark on the alternative London jazz scene three years ago as the pianist on alto saxophonist Camilla George's luminous debut, Isang (Ubuntu). More recently, she has played piano and keyboards on two other headline albums: George's The People Could Fly (Ubuntu, 2018), and alto saxophonist Cassie Kinoshi's SEED Ensemble's debut, Driftglass (Jazz ...


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