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Documentary: Wes Montgomery Turns 100
Today is the centenary of guitarist Wes Montgomery's birth. Born in 1923, he would die in 1968 at age 45. What better way to celebrate the impact Montgomery has had on the jazz guitar than with a new documentary directed by Kevin Finch. To view Wes Bound: The Genius of Wes Montgomery, you must go here. ...
Backgrounder: Wayne Shorter's JuJu
Wayne Shorter, a saxophonist and composer whose influence on post-war jazz and jazz musicians rivaled that of Sonny Rollins and John Coltrane, died March 2. He was 89. My favorite Shorter album is JuJu. Recorded in 1964 for Blue Note and released in July 1965, the album featured all original songs by Shorter and included pianist ...
Gene DiNovi, Today and Yesterday
Gene DiNovi is a gorgeous jazz pianist. One of the early New York players in the mid-1940s who had figured out bop, DiNovi at 15 was pulled up to the bandstand at the Spotlite Club on 52nd Street by Dizzy Gillespie in 1944 to play bop behind him when his pianist went missing. Then Charlie Parker ...
Frank Socolow in the 1940s
Despite enjoying a lengthy career, Frank Socolow recorded only two leadership sessions—one in 1945 and another in 1956. The paucity of recordings under his own name was likely due to his workload playing on other artists' recordings. Socolow had mastered bebop early in 1945, which made him a sought-after player by bands that embraced the new ...
Stella Stevens: Too Late Blues
Stella Stevens, who died last week at age 84, was all set to be a serious movie star in the early 1960s when the youth culture cut in. As a beach-blanket blonde, she wound up cast in many cute films aimed at the teenage market along with Westerns and secret agent movies. Her most recognizable role ...
Documentary: Ron Carter - Finding the Right Notes
Ron Carter got off to a big start. His first recording session was playing bass on Ernie Wilkins's The Big New Band of the '60s, in March and April 1960. The band included Clark Terry (tp,flhrn); Richard Williams and Charlie Shavers (tp); Henderson Chambers (tb); two unknown trombonists; Earle Warren (as); Zoot Sims, Seldon Powell and ...
Documentary: Bill Crow, Jazz Journeyman
What do the following five recordings have in common? Stan Getz Plays (1951), the tenor saxophonist's first for Norman Granz's Clef label, which would soon become Verve. Here's Stella by Starlight... Al Haig's Isn't It Romantic from Jazz Will O' the Wisp (1954), one of the pianist's most beautiful trio albums. Go here... Jackie & Roy's ...
Genre-Busting Pianist Michael Kaeshammer Announces 15th Studio Album 'Turn It Up' Out March 17
Michael Kaeshammer isn’t so much a pianist as a piano whisperer, a master musician and songwriter able to coax dazzling, kaleidoscopic sounds from his instrument in a way few can rival. That gift powers Kaeshammer’s upcoming 15th album, Turn It Up, due out March 17. The new single “Never Knew What Love Was,” which showcases Kaeshammer’s ...
Al Haig and Bud Powell
Yesterday, I posted about Al Haig playing on early bebop recordings in New York with Charlie Parker and Dizzy Gillespie. Which begs the question, did Haig conceive of his style on his own or was he influenced by other New York jazz pianists besides Art Tatum? The answer is a little of both. As Carl Woideck, ...
Al Haig: Invitation
Al Haig was a fascinating and mysterious pianist. Haig's style was an elegant synthesis of hard-core bebop and lounge, which means he had an extraordinary technique. And his bop recordings are so early—at the start, in fact—that Haig and Bud Powell most likely influenced each other through mutual visits at Harlem clubs. Today, Haig is largely ...
