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The Lead Sheet: Twin Cities Live Jazz, December 12-18
As we get closer to the holidays, the options for live music keep growing. This week, for instance, you can hear one of the finest jazz quintets on the local scene in a too-rare live gig; welcome home (if briefly) one of our most popular, swinging pianists; enjoy productions of holiday brass and holiday songs from ...
The Cost Of Breaking A Major Label Act
By Bobby Owsinski on Music 3.0 Blog The latest IFPI (International Federation of the Phonograph Industry - boy, is that name outdated) recently came out with a report about the state of the music industry and a few of the elements that were analyzed included how much the major labels spent on developing new acts. Here are some interesting figures. The ...
Our Virtual Panel Looks Back on 2014 | Dave Cool of Bandzoogle
Dave Cool, Director of Artist Relations at Banzoogle joins us next on Hypebot.com's 2014 Year End Virtual Panel. Cool lands among other YouTube Music key skeptics: I'm not sure what impact it will have. YouTube has gotten away with being the largest free music streaming service for years. I don't know how they're going to get people ...
The art of the jazz duo
Pianist Johnny Varro is best known for his interpretations of vintage jazz, most of it dating to the 1920s through the '40s. But Friday afternoon's duo concert with bassist Mark Neuenschwander for the South County Jazz Club gave Varro a chance to spread his wings a bit into material not associated with his Swing 7 classic ...
Our Virtual Panel Looks Back on 2014 | Dmitri Vietze
Dmitri Vietze of Music and Technology PR Firm Rock Paper Scissors is up next on Hypebot.com's virtual panel. He shares his thoughts on the Taylor Swift rift with Spotify and the importance of YouTube Music Key and the expansion of Beats Music ecosystem below. He also speaks to the changes brought on by 2014 and what it ...
Our Virtual Panel Looks Back on 2014 | Simon Cole of 7digital
Up next in our 2014 Year End Virtual Panel, Simon Cole, CEO of 7digital chimes in on the current state of the music industry. Cole says The switch to hi-res and wearable technology has pushed the need for a great deal of quick innovation on our part. But these challenges are exciting to us because we see how ...
Our Virtual Panel Looks Back on 2014 | Kyle Bylin of Soundhound
Kyle Bylin, of SoundHound, former editor of Hypebot.com and author of Promised Land, a collection of essays on how disruptive startups and digital youth reshaped the music industry from 2008 to 2013, revisits his old stomping grounds by joining our year end virtual panel. On the significance of YouTube Music Key and the expansion of Beats Music within Apple's ...
Our Virtual Panel Looks Back at 2014: Cortney Harding of Muzooka
Cortney Harding, strategist at Muzooka and co-host of Hypebot.com's Upward Spiral Podcast will be kicking off the 2014 Hypebot.com Year End Virtual Panel. Much like cab drivers love to whine about Uber when they should be thinking about how to survive when driverless cars hit the road, the Taylor Swift vs Spotify dustup is a short ...
5 Ways Third Man Records Made Vinyl Cool Again
By Torey Markowitz on Tixr Blog Jack White has been influencing rock music for nearly two decades. He clearly has a passion for creating unique sounds, but his newest passion seems to be vinyl records. In 2001 White founded the record label, Third Man Records, which releases singles and albums primarily on vinyl. On April 19th Jack White’s most recently released album, ...
10 Things You Had Totally Wrong About Music Publishing
By Alex Badanes on Songtrust.com 1) Music Publishing is the business of music journalism and Music PR The word “publishing” can throw some people off, but music publishing is actually the business of owning and exploiting songs in the form of musical copyrights. The business started because the main source of revenue for composers originally came from “publishing” ...


