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Mosaic Records Box Reviews
by C. Andrew Hovan
Since 1983, Mosaic Records has been at the forefront of the reissue market, dedicating themselves to definitive collections by both acknowledged jazz masters and neglected talents deserving of wider recognition. From the traditional sounds of Eddie Condon and George Lewis, to the hard bop of Lee Morgan and Hank Mobley, and even the blues of Amos ...
Marvin Ayres: Neptune & Cellosphere
by John Kelman
When Brian Eno first began experimenting with tape loops, he may have known that he was creating something unique, but little did he realize how widely it would be embraced. Eno's primary intention with his Ambient music was to create something that would, rather than being intrusive, blend into the listener's overall aural landscape. Since his ...
Brian Eno: The Soundtracks Reissues
by John Kelman
While ex-Roxy Music keyboardist Brian Eno was establishing a distinctive and new style of music that he called Ambient Music--which investigated the potential of making music as an integral part of the listenerâïïs aural landscape--he was also finding ways to mold the concept, albeit in sometimes a more direct way, to integrate it with ...
Carsten Dahl/Arild Andersen/Patrice Heral: The Sign & Moon Water
by John Kelman
The ability to integrate real-time sampling into a rich improvisational setting has created something of a stir amongst certain jazz musicians, and is being accepted more and more as a legitimate and viable tool to broaden the musical palette. Guitarist Bill Frisell often creates layers of loops to provide backdrops to anything from his own Americana ...
Exposing the Cover Story Behind the Classics
by Mark Sabbatini
There's no better support for the argument critics are woefully ignorant of the music they review than their treatment of the classics in lockstep. Reading carbon copy raves about Miles Davis' model mastery on Kind Of Blue or Bill Evans lyrical trio interplay on Waltz For Debby must make many people wonder if those ...
Evidence: Soulville and Untitled
by Mark F. Turner
Sometimes moving straight-ahead is the best direction. The Michigan based group Evidence has the heart of a true working jazz band. Led by saxophonist Michael Doyle the group has been a busy for over ten years at local gigs, festivals, as well as regular performances on WGVU Radio Jazz Night. While clearly in the vein of ...
Centennial Collections: Ellington and Hawkins
by David Rickert
Duke Ellington The Centennial Collection Bluebird 2005 Duke Ellington's work will always be repackaged on a regular basis for those eager to sample his work; if you count Never No Lament, which collects the Blanton- Webster band material, this is the third Ellington compilation from Bluebird in three ...
Putumayo Presents Acoustic Brazil and Afro-Latin Party
by AAJ Staff
After two recent albums focusing on the New Orleans jazz tradition, including one devoted to the music of young trumpeter Kermit Ruffins, Putumayo has turned its attention to other corners of the globe. The world music label's latest two compilations target mellow Brazilian sounds and Afro-Latin dance music respectively, and the contrast is quite dramatic. One ...
Wes and Ella: New VMEs
by David Rickert
Wes Montgomery Smokin' At the Half Note Verve 1965 Once Wes Montgomery signed with the Verve label, he didn't record much jazz. His last recordings were designed to generate hits rather than to showcase one of the most inventive and influential soloists in jazz. But records like Smokin' At the ...
Earth-Wheel-Sky Band: Rroma Art & Waltz Rromano
by Nenad Georgievski
Earth-Wheel-Sky Band Rroma Art Radio 021 2001 Earth - Wheel - Sky" are symbols that in a way represent the life of gypsies. That's also the name of one of the best gypsy ensembles that have appeared in the last few years, elsewhere. Guided by one of ...


