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Musician

Motorpsycho

42

Article: Album Review

Møster!: Bolts

Read "Bolts" reviewed by Kevin Poindexter

by Kevin Poindexter

Møster! has been blowing minds, woofers, and tweeters with their unique blend of Scandinavian noise-rock and psychedelic jazz-punk for six albums. It would be pointless to ask if this band is ready to take the next big leap forward, because they are not really trying to ascend any ladder. In fact, they are not climbing at all; ...

18

Article: Liner Notes

Jaga Jazzist: '94 - '14

Read "Jaga Jazzist: '94 - '14" reviewed by John Kelman

by John Kelman

It's hard to believe that Norway's Jaga Jazzist is celebrating its 20th anniversary this year, in 2014. Not that there aren't other groups that have lasted as long, but look for a group whose primary composer was just 14 when the whole thing began, find a band where five out of its eight current members were ...

1

Article: Live Review

Moldejazz Festival 2018

Read "Moldejazz Festival 2018" reviewed by Luca Vitali

by Luca Vitali

Molde Jazz Festival Molde, Norvegia 15-19.07.2018 Il festival jazz di Molde è il secondo più antico d'Europa --fondato nel 1961, lo precede di un solo anno il festival di Ljubljana la cui prima edizione risale al 1960 --e ancora oggi il più importante in Norvegia. È qui che Keith Jarrett e Jan ...

Article: Live Review

PunktFestival 2017

Read "PunktFestival 2017" reviewed by Luca Vitali

by Luca Vitali

Punkt Festival Kristiansand, Norvegia Varie sedi 31.8-2.9.2017 Come sempre Punkt è un festival fuori dall'ordinario e all'insegna dell'imprevisto e dell'imprevedibile. Una sorta di Industria 4.0 della musica: fuori dal “circolo" dei tour estivi, tipico dei festival jazz, e poco interessato a fotografare il passato e il presente, è invece molto attento ...

21

Article: Rediscovery

Veslefrekk: Veslefrekk

Read "Veslefrekk: Veslefrekk" reviewed by John Kelman

by John Kelman

VeslefrekkVeslefrekkNORCD1994 Before there was Supersilent--the renowned Norwegian noise improv group that was a seminal part of the flurry of creative Norwegian activity that, between 1997 and 1998, literally shook the world of improvised music and brought a number of artists, including Nils Petter Molvaer, Bugge Wesseltoft and Eivind Aarset, to far ...

13

Article: Multiple Reviews

Three new releases on Rune Grammofon

Read "Three new releases on Rune Grammofon" reviewed by John Eyles

by John Eyles

Norway's Rune Grammofon label long ago established itself in the front rank, initially based on releases by the group Supersilent plus releases including its members Deathprod (Helge Sten), Ståle Storløkken and Arve Henriksen. In addition, the label has gradually built up an impressive roster including such Scandinavian artists as Alog, Fire!, Jenny Hval, Motorpsycho and Susanna ...

37

Article: Extended Analysis

Arve Henriksen: The Nature of Connections

Read "Arve Henriksen: The Nature of Connections" reviewed by John Kelman

by John Kelman

Few artists could call an album The Nature of Connections with as much veracity as Norwegian trumpeter Arve Henriksen. There's been the myriad of collaborations on his own albums--just a small handful of the contributors to recordings including Places of Worship (Rune Grammofon, 2013), Cartography (ECM, 2008), Strjon (Rune Grammofon, 2007) and Chiaroscuro (Rune Grammofon, 2004) ...

12

Article: Extended Analysis

Ola Kvernberg Trio: Northern Tapes

Read "Ola Kvernberg Trio: Northern Tapes" reviewed by John Kelman

by John Kelman

It's been three years since Ola Kvernberg released the ambitious Liarbird (Jazzland, 2011), a studio document of his 2010 Molde International Jazz Festival commission where guest Joshua Redman was recruited for the live performance, but where, far more than a ringer for Kvernberg, Redman was clearly awestruck by this virtuosic young violinist/composer. It's not that Kvernberg ...

4

Article: Interview

WorldService Project: Articulate Arsonists

Read "WorldService Project: Articulate Arsonists" reviewed by John Kelman

by John Kelman

It's a very different time to be a musician than it was even 20 years ago, when major record labels still existed, providing tour support and money to make recordings. It's also a very different time because, with the upsurge of DIY recordings, there's more music being released every month than ever before. Add to that ...


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