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Charnett Moffett: Treasure
by John Barron
Treasure is the eleventh solo release for veteran bassist Charnett Moffett. Much like his previous efforts, the focus here is on the New York native's jaw-dropping technique on both upright and electric fretless bass. Mixed in with the traditional jazz instrumentation of bass, piano, guitar and drums, Moffett utilizes the more unconventional sounds of tablas, tamboura ...
Geri Allen: Geri Allen & Timeline Live
by Mark F. Turner
Remember the time when jazz and dance were simpatico partners? Where swing and tap were intertwined with lively music and sweltering choreography in joints, halls, and clubs. Probably not, but pianist Geri Allen does, as she reflects on those past golden moments and dares to create new ones with Geri Allen & Timeline Live. ...
Geri Allen: Flying Toward The Sound
by Mark F. Turner
One of modern jazz's foremost pianists, Geri Allen exhibits a musical profundity that is coupled by lyricism and soul. Whether leading a trio of esteemed peers--Charlie Haden and Paul Motian--at that landmark venue, Live at the Village Vanguard (DIW, 2000), or giving homage to the obscure jazz matriarch, pianist Mary Lou Williams, with Zodiac Suite: Revisited ...
Antonio Ciacca Quintet: Lagos Blues
by AAJ Italy Staff
Nel realizzare il sesto lavoro da leader Antonio Ciacca ha coronato un sogno: incidere un album con la partecipazione del suo mentore Steve Grossman. E Lagos Blues vede protagonista proprio il musicista americano, capace di dar corpo - con alcuni interventi di rara efficacia - a una scaletta che si risolve in sette brani, scelti tra ...
Rufus Reid: Out Front
by Ken Dryden
Long a first-call bassist, Rufus Reid has played with numerous greats since arriving on the jazz scene in the early '70s, including Dizzy Gillespie, Thad Jones and Mel Lewis, Dexter Gordon, Lee Konitz, Art Farmer and Jimmy Heath, to name just a few, in addition to a number of dates as a leader. His fat tone ...
Charnett Moffett: The Art of Improvisation
by Hrayr Attarian
Discs that focus on a single instrument are not that uncommon in jazz, but recordings focusing primarily on the bass are quite rare, even for bassists who lead their own bands. Charnett Moffett's The Art of Improvisation joins the rank of such gems as Paul Chambers's Bass on Top (Blue Note, 1957) and, ...
Oran Etkin: Kelenia
by Hrayr Attarian
Exposure to traditional African music is limited in the western hemisphere so it is always a pleasant surprise when a recording is released, especially when it is a solid, well above average effort. Clarinetist and saxophonist Oran Etkin has fused Malian music with elements of improvisation and jazz in his debut, Kelenia. This ...
Antonio Ciacca: Lagos Blues (with Steve Grossman)
by George Kanzler
There's a good reason most “real" jazz radio stations tend to favor the modern mainstream jazz of the post-bop era codified by such record labels from the mid-20th Century as Blue Note, Columbia's jazz division, Prestige, Riverside and Impulse. It's creative jazz with a comfortingly substantial physicality, clean lines and rhythmic heft still anchored to a ...
Antonio Ciacca: Lagos Blues
by J Hunter
Four decades ago, Miles Davis called then-burgeoning saxophonist Steve Grossman “an important voice in this music." One of the people who heard that voice was pianist Antonio Ciacca. Lagos Blues, Ciacca's second disc for Motema, not only shows Grossman's influence as Ciacca's former teacher; it also includes the now-legendary tenor player's direct influence, as he joins ...
Tessa Souter: Obsession
by Joel Roberts
New York-based, British-born Tessa Souter is a jazz singer with interests far outside the jazz world. On Obsession, Souter mostly shuns well-trodden standards and classic jazz fare in favor of a varied set of rock, pop and Brazilian tunes. With her rich contralto and crystal-clear diction, Souter delivers lyrics with a theatrical, but ...
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