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Joe Locke: Lay Down My Heart - Blues & Ballads Vol 1
by John Kelman
In a rarefied space, Joe Locke continues to evolve, engage and impress. There simply isn't another vibraphonist of his generation with Locke's stellar chops, thorough understanding of history/tradition--not just of jazz, but of music, period--and ability to build programs based on thematic concepts that not only stand out in his gradually growing discography, but fit contextually ...
Joe Locke: Lay Down My Heart: Blues & Ballads Vol.1
by Edward Blanco
The ever versatile vibraphonist extraordinaire Joe Locke returns to his early days of music-making, where he once felt that jazz was, is and “should always be, people music." On his third recording for the Motema label, Locke presents Lay Down My Heart: Blues & Ballads Vol. 1 designed as a vehicle for people everywhere who need ...
Joe Locke: Lay Down My Heart: Blues & Ballads Vol.1
by Dan Bilawsky
Vibraphonist Joe Locke doesn't seem to want to put his mallets down for very long. As soon as he arrived at Motéma Music, he released the modern-leaning Signing (Motéma Music, 2012) with the Joe Locke/Geoffrey Keezer Group, and partnered up with Lincoln's Symphony Orchestra for the somewhat serene Wish Upon A Star (Motéma Music, 2013). Now, ...
Alone Together: Charnett Moffett and Marc Cary on Motéma
by Dan Bilawsky
Motéma Music has a tremendous amount of material coming through the pipeline as the imprint celebrates its tenth anniversary in 2013. Drummer Jaimeo Brown's forward-thinking debut, vibraphonist Joe Locke's take on the mellow and bluesy, vocalist Rondi Charleston's most mature outing to date, and a trio release from pianist Eldar Djangirov are all hitting shelves around ...
Charnett Moffett: The Bridge
by Franz A. Matzner
The sound of Charnett Moffett's bass resonates almost instantly straight to the depths of the soul. Over his career, Moffett has played in a tremendous variety of settings and explored seemingly every avenue, alley, and obscure landscape of both the upright and electric bass. Now with his first solo bass CD, The Bridge, audiences can experience ...
Jaimeo Brown: Transcendence
by Mark F. Turner
One of the more thought-provoking releases to come along this year, drummer Jaimeo Brown's Transcendence is an ethnomusicology patchwork with elements of the blues, gospel, rock, and modern jazz. Inspired by Gee's Bend, Alabama--an African American rural community formed in the early 1800's that is steeped in vibrant music and art--Brown's project conjures the voices of ...
Nilson Matta: Nilson Matta's Black Orpheus
by Edward Blanco
Brazilian bassist Nilson Matta has, like all artists, has drawn inspiration for his music from a variety of sources--of which a play and a movie serve as the influence for the moving Black Orpheus. Antonio Carlos Jobim's compositions for the 1957 Vinicius de Moraes Brazilian play Orfeu da Conceicao and the 1959 Black Orpheus movie that ...
Nilson Matta: Nilson Matta's Black Orpheus
by Dr. Judith Schlesinger
This CD is the culmination of Nilson Matta's lifelong dream: to record his interpretation of the Orpheus music from the Brazilian play and movie of the 1950s. To make it happen, Matta enlisted fifteen superb players from Brazil and the United States, building his ensemble up from the rhythmic, native heart of the music. The result ...
Brazilian Trio: Constelacao
by Dr. Judith Schlesinger
Constelacao contains a wonderful range of material, from the passionately churning title track to pianist Cedar Walton's classic “Bolivia," which features a great drum opening by Duduka da Fonseca.Tucked between these splendid bookends are such gems as Dori Caymmi's beloved “O Cantador," which many will recognize as “Like a Lover." Introduced to North American ...
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