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Results for "Miroslav Vitous"
Marc Johnson: Overpass
by Mario Calvitti
I dischi di solo contrabbasso non sono così frequenti come quelli di altri strumenti che maggiormente si prestano a essere suonati senza accompagnamento, ma nel catalogo ECM ne sono presenti diversi fin dai primi anni di vita dell'etichetta, dovuti soprattutto a Barre Phillips e Dave Holland (presenti anche con un duo), oltre che a Eberhard Weber, ...
Marc Johnson: Overpass
by Karl Ackermann
The virtuoso bassist Marc Johnson has kept a relatively low profile as a leader. A graduate of the prestigious North Texas State University jazz program, Johnson made his mark as a member of Bill Evans' trio from 1978 until the pianist's final album the following year. His ECM debut came as a member of John Abercrombie's ...
Manolo Cabras: gli album che sto ascoltando
by Vincenzo Roggero
1. Annette Peacock, An Acrobat's Heart (ECM, 2000) Un album incredibilmente bello di una delle figure più misteriose, sfuggenti e seducenti ai margini del jazz. 2. Bill Laswell, Baseline (Elektra Records, 1983) A volte il primo album rimane il migliore. 3. Paul Motian Trio ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Chick Corea
by Mark Sabbatini
In memory of NEA Jazz Master Chick Corea: 1941-2021. This article was first published at All About Jazz in 2004. Pianist Chick Corea is one of the major pioneers of fusion, with his influence since the 1960s also extending to post-bop, Latin, free-form and avant-garde jazz. He is a rarity in his proficiency and ...
Benjamin Koppel: Curiosity Won't Kill This Cat
by R.J. DeLuke
Benjamin Koppel is an extraordinary Danish musician from an illustrious music family. He is all about music—of just about any kind. He's always absorbing it, discovering what there is to derive from it. A kind of restless desire to explore envelops him. He simplifies it in his own words: he's curious. It comes naturally to him. ...
The Genius of Kenny Kirkland - Part 2
by Ludovico Granvassu
A classical musical upbringing; a deep knowledge of contemporary classical masters; a career that rapidly saw him develop affinities and life-long collaborations with mainstream and forward-looking jazz musicians, both from the US and from abroad; equally at home with fusion, pop and rock. In sum, Kenny Kirkland epitomized that kind of musician that defies categorization which ...
DOCTONE: An oral history of legendary pianist Kenny Kirkland (1955-1998)
by Noah Haidu
In chapter 2 of my book Doctone, I interviewed drummer Billy Hart and we discussed his interaction with Kenny Kirkland as he emerged in the 1970's fusion scene, his unique personality, the “Kirklandese" language and Kenny's legacy as one of the great pianists and composers in this music Noah Haidu: What were your first ...
4th Zbigniew Seifert International Jazz Violin Competition
by Ian Patterson
4th Zbigniew Seifert International Jazz Violin Competition Cricoteka Museum, Kraków, Poland/Various international locations on-line July 8-10, 2020 When the fanfare and drum roll had died down the big moment arrived. After three days of on-line competition, the six finalists waited anxiously in front of their screens, in Israel, The USA, Austria, ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
