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Results for "Milton Nascimento"
Mauricio De Souza: Here. There...
by Woodrow Wilkins
Drummer Mauricio De Souza has roots in both Brazilian music and jazz. It follows that he would issue Here. There ..., a recording that presents both. De Souza was born in Brasilia, Brazil. Among his inspirations are Buddy Rich, Airto Moreira and Dave Weckl. His two ensembles--Bossa Brazil and Mauricio De Souza Group--are employed ...
Variations on a Theme: Perspectives on Fan Relationships
by Brian Camelio
Something I've learned since starting ArtistShare is that the new music business" is not so much a business but a platform for creating bonds between the artist and the fan. From that bond, fans will show their appreciation for the music in various ways which may include a purchase of some kind but also may not. ...
Esperanza Spalding: Chamber Music Society
by Eugene Holley, Jr.
The jazz world hasn't been the same ever since the twenty-something Esperanza Spalding--the Oregon-born, Texas-based bassist/singer/composer/educator--burst on the scene at the change of the century. Her story as a self-taught, home schooled prodigy who graduated from Berklee and became that institution's youngest instructor; who gigged with everybody from Patti Austin and Pat Metheny to Joe Lovano; ...
Soulful Samba Transcendence: Brazilian Star in the US
If Pedro Moraes had a muse, she'd shake up sweaty samba bars, hips swaying, and turn heads dancing in the street, snaking her way from Rio's bohemian quarter to Bahia and Recife (and on to Mexico City and Liverpool). She'd boogie between the earthy and the erudite, with heady tropicalismo and brainy modernism. She'd embody the ...
Esperanza Spalding: Chamber Music Society
by Ernest Barteldes
On the opening track of her much-lauded, self-titled major label debut, Esperanza (Heads Up, 2008 ), bassist/vocalist Esperanza Spalding covered Milton Nascimento's timeless gem, Ponta de Areia." Rather than covering another of the singer/composer's tunes on Chamber Music Society, Spalding recruits Nascimento to perform on her own Apple Blossoms." It's but one example of a highly ...
Erika: Obsession
by Raul d'Gama Rose
Young vocalist Erika springs a surprise on herself with Obsession. Japanese by birth and schooled relatively recently in jazz, she is not only pitch-perfect while singing in English, but negotiates Brazilian charts in Portuguese with near perfect emotion (if not always perfect diction). The biggest surprise of all is the Japanese repertoire, with which she rounds ...
Adriano Santos Quintet: In Session
by Edward Blanco
Adriano Santos of Sao Paulo, Brasil is a drummer and percussionist currently on the faculty of the Drummers Collective school in New York whose drumming style has been compared to that of Airto Moreira. Residing in New York since the mid '90s and a fixture in the area's vibrant jazz scene, Santos puts his slant on ...
Adriano Santos Quintet: In Session
by Woodrow Wilkins
To say that everybody loves Brazilian music would be too general. But clearly, the sound has a mystique, as so many have embraced it. Percussionist Adriano Santos revisits the music of several Brazilian composers with In Session. Santos grew up in Sao Paulo and began study at the Zimbo Trio Music School at the ...
Andre Matos: Fantasies Realized
by William Carey
There is no doubt that André Matos has chops to burn. Placed firmly in the tradition of John Abercrombie and Pat Martino, with a bit of Sonny Sharrock at moments, a lot of Berklee (College of Music) influence is readily apparent, but with a bit of headiness that also reflects the guitarist's time at the New ...
Adriana Miki: Sashimiki
by Raul d'Gama Rose
The spry and sensuous voice of the Brazilian Adriana Miki is beautifully showcased on her debut album, Sashimiki, produced by her bass-playing partner in this project, Sérgio Crestana. Delivering an exquisitely chosen, albeit short, program, Miki emerges with soft grandeur as Astrud Gilberto once did when she voiced the songs of her then husband, João Gilberto. ...





