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14

Article: In Pictures

The Compelling Urgency of Now: Celebrating Peace, Justice and Improvised Music

Read "The Compelling Urgency of Now: Celebrating Peace, Justice and Improvised Music" reviewed by Dave Kaufman


Arts for Arts, the organization responsible for the Vision Festival, has put together a series of “Peace and Justice Celebration" concerts at the Clemente Soto Vélez Cultural and Educational Center situated on the Lower Eastside of Manhattan in New York City. I was fortunate to attend a performance on October 15, 2021 which was the last ...

7

Article: Interview

A Conversation with Amiri Baraka

Read "A Conversation with Amiri Baraka" reviewed by Lazaro Vega


From the 1995-2003 archive: This article first appeared at All About Jazz in November 1999. All About Jazz: I'm just really happy to see that in the last year or so you've become a much more public figure outside of academia through the recording with Hugh Ragin, Afternoon in Harlem on Justin-time, that When ...

4

Article: Multiple Reviews

Wadada Leo Smith: Aesthetic Apex

Read "Wadada Leo Smith: Aesthetic Apex" reviewed by Doug Collette


It would be difficult to find a musician more loyal to his muse than Wadada Leo Smith. From projects with his Golden Quartet/Quintet such as America's National Parks (TUM Records, 2016) to the more expansive ensemble effort Najwa (TUM Records, 2017), then on to the stringent focus of Solo: Reflections and Meditations on Monk (TUM Records, ...

7

Article: Album Review

Paul Bley Trios: Touching & Blood Revisited

Read "Touching & Blood Revisited" reviewed by Mark Corroto


Pianist Paul Bley (1932—2016) wasn't just a witness to jazz history, he was a key contributor. Bley performed with Lester Young, Charlie Parker, Charles Mingus, and Sonny Rollins, yet his true sound was set in motion when he performed with Ornette Coleman in California, evidenced by Live At The Hillcrest Club 1958 (America Records, 1971). While ...

16

Article: Album Review

Michael Bisio / MMBC: MMBC Terma

Read "MMBC Terma" reviewed by Karl Ackermann


Among the side effects of the 2020-2021 pandemic has been the rediscovery of misplaced resources. The trio MMBC dug up the fourteen-year-old recording MMBC Terma, a collection of nine group compositions and improvisations. MMBC is an acronym condensing the initials of the players. Tenor saxophonist (and psychoanalyst) Michael Monhart and drummer Ben Chadabe are lightly-recorded; acclaimed ...

1

Article: Radio & Podcasts

James Brandon Lewis, Jaimie Branch, & Dave Rempis

Read "James Brandon Lewis, Jaimie Branch, & Dave Rempis" reviewed by Maurice Hogue


Chalk up another great recording from saxophonist and composer James Brandon Lewis. Jesup Wagon for Tau Forms marks another step on what seems to be a steady climb to the top of current saxophonists. Like last year's great Live At Willisau, JBL has drummer Chad Taylor with him along with Kirk Knuffke, Christopher Hoffman and the ...

3

Article: Radio & Podcasts

Wadada Leo Smith, The Red Microphone & Clean Feed Releases

Read "Wadada Leo Smith, The Red Microphone & Clean Feed Releases" reviewed by Maurice Hogue


Trumpet master and composer Wadada Leo Smith continues to produce astonishing original music. Zeroing in on the age of 80 seems to have no impact. There are two new releases from the Finnish Tum label to show Smith's creativity: Sacred Ceremonies with Bill Laswell and Milford Graves and the other a solo set. Some of Clean ...

14

Article: Album Review

Wadada Leo Smith: Trumpet

Read "Trumpet" reviewed by Karl Ackermann


In a half-century of recording, he has never stopped exploring the parameters of the form and instrument. Listening to composer/trumpeter Wadada Leo Smith is demanding but rewarding. His inspirations are classical in the small 'c' sense: the AACM, Persian music, August Wilson, Stravinsky, spirituals, and so on. Before the masses woke, Smith's music had incorporated political, ...

3

Song of the Day

Social Justice – A Fire for Reimagining the World

Album:
By
Label: TUM Records
Released: 2021
Duration: 6:31

20

Article: Under the Radar

A Different Drummer, Part 3: Pino Basile & Mizuki Wildenhahn

Read "A Different Drummer, Part 3: Pino Basile & Mizuki Wildenhahn" reviewed by Karl Ackermann


The Swish Knocker, And More Early on in his career, the late Milford Graves abandoned the snare drum, substituting the resonance of the toms for the snare parts. He believed music of the drum reverberated from within the drummer and the listener without the need for extraneous instrumentation. Tyshawn Sorey's approach to music speaks to contempt ...


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