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José Valentino: The Entrepreneurial Approach To Jazz And Beyond
by Jane Kozhevnikova
May jazz be commercial? Should a musician stick to one career or sustain many passions? What is the best way for musicians to set their rates? How to choose the right opportunities? These questions can raise many debates. José Valentino Ruiz (stage name José Valentino), a Latin Grammy-and Emmy Award-winning producer, composer and performer, answers these ...
Or Shovaly Plus Release 'Live at the New Orleans Jazz Museum' — Groove is at the heart of New Orleans-based guitarist’s debut EP
It almost doesn’t matter whether guitarist Or Shovaly is composing music, arranging music, playing music, thinking about music, or talking about music. One point remains: Groove is at the heart and the guiding star of Or Shovaly’s music, including and especially the debut recording of his band Or Shovaly Plus, Live at the New Orleans Jazz ...
RedGreenBlue: The End And The Beginning
by Chris May
RedGreenBlue sound like they have emerged from the same synapse-snapping dope bunker that La Monte Young and Jon Hassell exited with their Theatre Of Eternal Music in the 1970s, whacked out on opium, hashish and mescaline, dazed but not confused. RedGreenBlue may or may not indulge in the same psychotropic self-medication as their Lower East Side ...
The Best Of '90s Jazz Fusion
by Len Davis
John Mclaughlin The Heart Of Things, Michael Brecker, Brecker Brothers, Miles Davis Live Around The World, Jeff Richman, Niacin from High Bias, Chick Corea Electric Band, and Tunnels with Percy Jones. Playlist John McLaughlin “Healing Hands" from The Heart Of Things (Verve) 00:00 Michael Brecker “Escher Sketch" from Now You See It-Now You Don't ...
Miles Davis Quintet: Live Europe 1960 Revisited
by Chris May
A high proportion of the studio albums recorded by Miles Davis from the mid 1950s until Bitches Brew (Columbia) in 1970 are landmark ones, so frequent and so momentous were the occasions on which Davis adjusted his direction. With a few exceptions, notably My Funny Valentine (Columbia, 1964), this is less true of the live albums ...
JazzLab Orchestra: Loguslabusmuzikus
by Angelo Leonardi
Jazzlab Orchestra è un medio organico costituito da tre ance e due ottoni in varie combinazioni, più una sezione ritmica con pianoforte. Opera da quasi due decenni nel Quebec (Canada), ha pubblicato sette album, collaborato con jazzmen statunitensi di primo piano (Ted Nash, Seamus Blake, Donny McCaslin, Rufus Reid) e dato svariati concerti in Nord America ...
Will Bernard Finds His Own Path To Jazz Career
by Jim Trageser
Guitarist Will Bernard doesn't consider himself a “regular" jazz player. He says this occurred to him when he was being asked to play on some recording sessions in New York. “In New York, I've been doing some recording—I did three records for PosiTone, which is more of a jazz label. They're actually ...
Pori Jazz 2022
by Rob Garratt
Pori Jazz 2022 Kirjurinluoto Concert Park Pori, Finland July 14-16, 2022 If this year's 55th annual Pori Jazz festival had a “moment," it was when Immanuel Wilkins invited Shabaka Hutchings to the stage as a surprise guest for a dazzling 14-minute duet that capped the former's spellbinding set, ...
Sam, Miles and Trane
by Bob Osborne
For the 500th episode of the World of Jazz show some of my favourite musicians with a focus on Sam Rivers, a new album from Nate Wooley, and a selection of music from Miles Davis and John Coltrane. To kick off jazz meets afrobeat in 1972 with Hugh Masakela. Playlist Show Intro 00:00 Hugh ...
Akusmi: Fleeting Future
by Chris May
Anyone who enjoys the landmark albums that are Terry Riley's minimalist manifesto In C (Columbia, 1968) and Jon Hassell's fourth world masterpiece Dream Theory In Malaya (EG, 1981) is in for a big treat. Actually, a triple treat. French-born, London-based composer and producer Pascal Bideau's entrancing Fleeting Future is redolent of not one of those albums, ...
