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The Don Rendell / Ian Carr Quintet: Warm Up
by Chris May
British modern jazz was gaining new confidence in itself in 1965, when Warm Up, subtitled The Complete Live At The Highwayman 1965, was recorded. It needed to be. As Simon Spillett writes in his liner notes, at the time “British jazzmen bravely fought a battle on two fronts, one against the stranglehold of American influence, the ...
Adam Berenson: Songs from the Garret
by Karl Ackermann
Adam Berenson's Songs from the Garret is a two-CD solo collection but the essence of other composers prowl in the shadows. The lofty album title pays tribute to particular compositions from Steve Swallow, Carla Bley, Michael Gibbs, Chick Corea and a host of others. Berenson, a well-versed composer/keyboardist, takes the unusual approach (for him) of focusing ...
John Coltrane, Dave Liebman and Others
by Jerome Wilson
This vintage episode, from November 2021, features John Coltrane playing with Miles Davis and also Dave Liebman interpreting Coltrane's music. Other musicians heard include Dave Brubeck, Archie Shepp, Al Hibbler, and Anthony Ortega. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill ...
Opus 5: Introducing Opus 5
by Josef Woodard
The Evident Charms and Secret Powers of Five For all the myriad varieties and contextual possibilities under the rubric of what makes for a valid jazz group, there is something distinctively powerful and tradition-enriched about the number five. Smaller groups tighten up the focus on individual voices involved, and often frame a specified protagonist leader, while ...
Terje Rypdal: Odyssey: In Studio and In Concert
by John Kelman
To achieve confluence, an artist must first demonstrate multiplicity. With the benefit of hindsight, the meeting of disparate concepts might appear inevitable when reassessing a decades-long career, but few artists actually possess not only the building blocks but the intuition and acumen to achieve what is, in Sanskrit, called Sangam. That ECM has two recordings using ...
Inside Scofield
by Mike Jacobs
John Scofield Inside Scofield I'm Filming Productions 2022 With jazz being an increasingly marginalized art form (at least in the commercial sense), any news of serious documentary work about one of its more iconic practitioners is likely to garner an immediate hallelujah from the chorus. Perhaps this is doubly so when ...
January 2023
by Pat Youngspiel
Masaki Hayashi Group Blur The Border S/N Alliance 2023 In contrast to its sister-label Nagalu Records, Shinya Fukumori's S/N alliance is devoted to music and musicians outside of Japan, bringing idioms from classical music and improvised streams under one roof, to be shared across borders. And pianist Masaki Hayashi's ...
Christopher Burnett: The Standards, Vol. 2 (Live at The Drum Room in Kansas City)
by Kyle Simpler
During its heyday, The Drum Room in The Hotel President was one of Kansas City's most popular jazz venues. Performers such as Duke Ellington, Frank Sinatra, and Benny Goodman all played there. The Drum Room closed during the late seventies but was brought back to life a few years later and, between 2006 and 2007, The ...
How Do You Rate Miles Davis’ Music, On Record and Live, In The 1980s?
by Ian Patterson
The release of The Bootleg Series Vol. 7: That's What Happened 1982-1985 invites renewed reflection on Miles Davis' music in the 1980s. A few tracks aside, these studio outtakes from the recording sessions that produced Star People (Columbia, 1983), Decoy (Columbia, 1984) and You're Under Arrest (Columbia, 1985) don't amount to a whole heap of beans, ...
ECM Records Touchstones: Part 1
by Dan McClenaghan
Part 1 | Part 2 | Part 3 Every album ever released by ECM Records would be readily available in a better world. But that, understandably, is not the case. The German label, founded by Manfred Eicher—who still holds the helm—debuted in 1969 with pianist Mal Waldron's Free At Last. In the ensuing five-plus ...
